 Shakespeare, that he assumes, as an unquestionable principle, a position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false that any representation is mistaken for reality ; that any dramatick fable...  William Shakespeare: The Critical Heritage - Page 15edited by - 1995 - 568 pagesLimited preview - About this book
 | Samuel Henry Butcher, Aristotle - 1898 - 454 pages
...pry so narrowly as to mind what is behind the scenes, provided there be nothing too extravagant.' * 'It is false that any representation is mistaken for reality : that any dramatic fable, in its materiality, was ever credible, or for a single moment was ever credited.' —... | |
 | William Shakespeare - 1898 - 460 pages
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality; that any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited. <... | |
 | Robert Chambers - 1902 - 864 pages
...position which, while his breath is forming it into words, his understanding pronounces to be false. econdly, I shall endeavour to shew what knowledge...evidence, and extent of it. Thirdly, I shall make some en The objection arising from the impossibility of passing the first hour at Alexandria, and the next... | |
 | David Nichol Smith - 1903 - 434 pages
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false that any representation is mistaken for...credible, or, for a single moment, was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next... | |
 | David Nichol Smith - 1903 - 450 pages
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false that any / representation is mistaken...credible, or, for a single moment, was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next... | |
 | Walter Cochrane Bronson - 1905 - 426 pages
...pronounces to be false. It is false that any representation is mistaken for 5 reality, that any dramatic fable in its materiality was ever credible or for a single moment was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria and the next at... | |
 | Ludwig Herrig - 1906 - 844 pages
...pronounces to be false. It is false that any representation 105 is mistaken for reality, that any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited. The objection arising from the im- no possibility of passing the first hour at Alexandria, and the... | |
 | Stendhal - 1907 - 258 pages
...pronounces to be false. It is false that any representation is mistaken for reality ; that any dramatic fable, in its materiality, was ever credible, or, for a single moment, was credited. The objection arising from the impossibility of passing the first hour at Alexandria, and... | |
 | Stendhal - 1907 - 254 pages
...position which, while his breath is forming it into words, his understanding pronounces to be false. It is false that any representation is mistaken for reality; that any dramatic fable, in its materiality, was ever credible, or, for a singIe moment, was credited. The objection... | |
 | Samuel Johnson - 1908 - 254 pages
...into words, his understanding pronounces to be false. It is false, that any representation is mistake for reality ; that any dramatick fable in its materiality...credible, or, for a single moment, was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next... | |
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