 Shakespeare, that he assumes, as an unquestionable principle, a position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false that any representation is mistaken for reality ; that any dramatick fable...  William Shakespeare: The Critical Heritage - Page 15edited by - 1995 - 568 pagesLimited preview - About this book
 | Samuel Johnson - 1806 - 376 pages
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for...credible, or, for a single moment, was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next... | |
 | William Shakespeare - 1806 - 394 pages
...position, which, while his breath is forming it .into words, his understanding pronounces io be false. It is false, that any representation is mistaken for...credible, or, for a single moment, was ever •credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next... | |
 | William Shakespeare - 1809 - 394 pages
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for...credible, or, for a single moment, was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next... | |
 | William Shakespeare - 1809 - 390 pages
...which, while his breath is forming it into words, his understanding pronounces to be false. It is folse, that any representation is mistaken for reality; that...credible, or, for a single moment, was ever credited, The objection arising from the impossibility of passing the first hour at Alexandria, and the next... | |
 | Samuel Johnson - 1809 - 488 pages
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality ; that any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited. The... | |
 | William Shakespeare - 1810 - 444 pages
...position, which while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for...credible, or, for a 'single moment, was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next... | |
 | Samuel Johnson, Arthur Murphy - 1810 - 486 pages
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for...credible, or, for a single moment, was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next... | |
 | William Shakespeare - 1811 - 510 pages
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for...credible, or, for a single moment, was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next... | |
 | William Shakespeare - 1810 - 436 pages
...position, which while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for...credible, or, for a single moment, was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next... | |
 | William Shakespeare - 1814 - 532 pages
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality ; that any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited. The... | |
| |
