 Shakespeare, that he assumes, as an unquestionable principle, a position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false that any representation is mistaken for reality ; that any dramatick fable...  William Shakespeare: The Critical Heritage - Page 15edited by - 1995 - 568 pagesLimited preview - About this book
 | William Shakespeare - 1832 - 364 pages
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality ; that any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited. The... | |
 | Walter Scott - 1834 - 424 pages
...observance of the unities, suppose the audience to be lulled. To use the nervous words of Johnson, " It is false, that any representation is mistaken for reality ; that any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited." There... | |
 | Sir Walter Scott - 1834 - 418 pages
...observance of the unities, suppose the audience to be lulled. To use the nervous words of Johnson, " It is false, that any representation is mistaken for reality ; that any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited." There... | |
 | 1837 - 348 pages
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false that any representation is mistaken for reality, that any dramatic fable in its materiality was ever credible, or for a single moment was ever credited. " The... | |
 | 1837 - 336 pages
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false that any representation is mistaken for reality, that any dramatic fable in its materiality was ever credible, or for a single moment was ever credited. " The... | |
 | William Shakespeare - 1838 - 1130 pages
...position, which, while his breath is forming it into words, his understanding pronounces to be false. A ڻ 4`[ d3 ap dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited. The... | |
 | William Shakespeare - 1839 - 550 pages
...pronounces to be false. It is false, that any representaJ tion is mistaken for reality ; that any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited The objection arising from the impossibility of passing the first hour at Alexandria, and the next... | |
 | William Shakespeare - 1841 - 316 pages
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality ; that any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited. The... | |
 | Sir Joshua Reynolds - 1842 - 318 pages
...of his preface to Shakespeare, in defending him from the critics regarding the unities, he says, " It is false that any representation is mistaken for reality; that any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited. The... | |
 | William Shakespeare - 1844 - 348 pages
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality ; that any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited. The... | |
| |
