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" I'll leave you till night: you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Guildenstern. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But... "
The Plays & Poems of Shakespeare: According to the Improved Text of Edmund ... - Page 61
by William Shakespeare - 1857
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The Stratford Shakspere, ed. by C. Knight, Volumes 17-22

William Shakespeare - 1856 - 824 pages
...GUILDENSTERN. HAM. Ay, so, God be wi' you : Now I am alone. 0, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in...a dream of passion, Could force his soul so to his whole conceit, That from her working, all his visage wann'd ; Tears in his eyes, distraction in 's...
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The works of William Shakspere. Knight's Cabinet ed., with ..., Volume 7

William Shakespeare - 1856 - 380 pages
...Ros. and GUII.. Ham. Ay, so, God be wi' you : Now I am alone. O, what a rogue and peasant slave am l ! Is it not monstrous, that this player here, But in...a dream of passion, Could force his soul so to his whole conceit, That from her working, all his visage warm'd ; Tears in his eyes, distraction in 's...
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The philosophy of William Shakespeare delineating in seven hundred and fifty ...

William Shakespeare - 1857 - 710 pages
...CONSCIOUSNESS. AY, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in...visage wann'd ; Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting tongue, With forms to his conceit ? And...
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Shakspearian Reader: A Collection of the Most Approved Plays of Shakspeare ...

William Shakespeare - 1857 - 488 pages
...GUILDENSTERFI. Ham. Ay, so, heaven be wi' you : — NQW I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in...visage wann'd ; Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit ? and all for...
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Shakespeare's Hamlet, herausg. von K. Elze

William Shakespeare - 1857 - 352 pages
...GUILDENSTEHX. Ham. Ay , so ; good bye to you. — Now I am alone. 0 , what a rogue and peasant slave am I ! Is it not monstrous, that this player here , But in...his visage wann'd; Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? and all for nothing!...
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The Complete Works of Shakspeare, Revised from the Best ..., Volume 1

William Shakespeare - 1857 - 630 pages
...GUILDENSTEHN Ham. Ay, so, God be wi' you. — Now I am alone. 0, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in...own conceit, That from her working, all his visage wanned; Tears in his eyes, distraction in 's aspdct, A broken voice, and his whole function suiting...
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The book of recitations [ed.] by C.W. Smith

Charles William Smith (professor of elocution.) - 1857 - 338 pages
...HAMLET'S SOLILOQUY ON HIS IRRESOLUTION. Hamlet. Now I am alone. Oh, what a rogue and peasant slave am I ! Is it not monstrous that this player here, But in...a dream of passion, Could force his soul so to his whole conceit, That from her working, all his visage warmed ; Tears in his eyes, distraction in ' s...
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Shakespeare's Comedies, Histories, Tragedies, and Poems, Volume 5

William Shakespeare - 1858 - 752 pages
...GUILDENSTERN. Ham. Ayr so, good bye you. — Now I-am alone. Oh, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in...conceit, That, from her working, all his visage wann'd 4 ; Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With...
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The Collected Works of Thomas Carlyle: Life of Friedrich Schiller (1825 ...

Thomas Carlyle - 1858 - 348 pages
...ends the second act ! How charming it will be to speak it ! " 0 what a rogue and peasant slave am I ! Is it not monstrous that this player here, But in...in a dream of passion, Could force his soul so to bis own conceit, That from her working all his visage wann'd ; Tears in his eyes, distraction in his...
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The Text in Play: Representations of Rehearsal in Modern Drama

Robert Baker-White - 1999 - 224 pages
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