| John Wain - 1986 - 474 pages
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| John Wray Young - 1967 - 180 pages
...decides, that the play is the device he needs. Polonius and the Players have just left him. HAMLET O, what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in's aspect,... | |
| John Drakakis, Terence Hawkes - 1985 - 324 pages
...the 'painted tyrant' before him. Hamlet makes his identification with this minidrama even clearer: Is it not monstrous that this player here, But in...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing!... | |
| Jerry Blunt - 1990 - 232 pages
...his first concrete plan of action, to determine with certainty the guilt of his uncle. Hamlet: O what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in 's aspect,... | |
| Murray Cox - 1992 - 312 pages
...exchanges with Rosencrantz and Gildenstern were quite potent there. This speech was amazing too: 'O what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect,... | |
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