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" O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd... "
The Stratford Shakspere, ed. by C. Knight - Page 43
by William Shakespeare - 1856
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Introduction to Dramatherapy: Person and Threshold

Salvo Pitruzzella - 2004 - 196 pages
...merits particular attention, and will be further explored in the next section. ACTOR AND CHARACTER Is it not monstrous that this player here, But in...whole conceit That from her working all his visage wanned. Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting...
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Introduction to Dramatherapy: Person and Threshold

Salvo Pitruzzella - 2004 - 196 pages
...merits particular attention, and will be further explored in the next section. ACTOR AND CHARACTER Is it not monstrous that this player here, But in...whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting...
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Medicine, Mythology and Spirituality: Recollecting the Past and Willing the ...

Ralph Twentyman - 2004 - 118 pages
...for example, produce profound results? Shakespeare's Hamlet certainly found that this was so: O, what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd; Tears in his eyes, distraction in's aspect,...
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Shakespeare in Japan

Tetsuo Kishi - 2005 - 166 pages
...translation5 of Hamlet's second soliloquy (Act II, scene ii), which begins as follows: Now I am alone. O what a rogue and peasant slave am I! Is it not monstrous...whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting...
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The Great Comedies and Tragedies

William Shakespeare - 2005 - 896 pages
...ROSENC'Z Good my lord. [they take their leave HAMLET Ay, so, God bye to you! Now I am alone. O, what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect,...
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Shakespeare, Memory and Performance

Peter Holland - 2006 - 357 pages
...emotional value of repeating in performance what has been heartily felt before by real people like himself: Is it not monstrous that this player here, But in...whole conceit That from her working all his visage wanned . . . And all for nothing. For Hecuba . . . This forgets, momentarily, the value of Hecuba's...
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The Bad Quarto: An Imogen Quy Mystery

Jill Paton Walsh - 2007 - 245 pages
...pay you myself.' The tramp put his chin in his hands, and began again, with a puzzled frown: Oh, what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his own conceit That from his working all his visage wanned Tears in his eyes, Distraction in's aspect...
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Revenge Tragedy and the Drama of Commemoration in Reforming England

Thomas Rist - 2008 - 165 pages
...style of performance by reference to the drama of the First Player, seemingly at first condemning him: Is it not monstrous that this player here, But in...whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting...
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