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" O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd... "
The Stratford Shakspere, ed. by C. Knight - Page 43
by William Shakespeare - 1856
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Shakespeare and the Literary Tradition

Stephen Orgel, Sean Keilen - 1999 - 344 pages
...eager for a passionate speech is yet surprised when it comes and when it seizes the player: O, what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect,...
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Crying: The Natural and Cultural History of Tears

Tom Lutz - 2001 - 352 pages
...dramatic art and the riddle of human empathy as well, in one of the play's best-known soliloquies: O what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his own conceit That from her working all the visage wann'd, Tears in his eyes, distraction in his aspect,...
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The Cue for Passion: Grief and Its Political Uses

Gail Holst-Warhaft - 2000 - 228 pages
...Notes 203 References 213 Index 225 The Cue for Passion Introduction: The Theater of Mourning O, what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect,...
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Hamlet: The Tragedie of Hamlet, Prince of Denmarke : the First Folio of 1623 ...

William Shakespeare - 2001 - 261 pages
...lord. [Exeunt ROSINCRANCE and GUILDENSTERN] Hamlet Ay, so, God b'wi' you. Now I am alone. Oh, what a rogue and peasant slave am I! Is it not monstrous...his visage wann'd, Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for...
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The Klingon Hamlet

Lawrence Schoen - 2001 - 240 pages
...my lord! [Exeunt ROSENCRANTZ and GUILDENSTERN] Hamlet Ay, so, God be wi' ye! Now I am alone. O, what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his own conceit That from her working all his visage wan'd; Tears in his eyes, distraction in's aspect,...
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The Wisdom of Shakespeare

William Shakespeare - 2002 - 228 pages
...villanous, and shows a most pitiful ambition in the fool that uses it. Hamlet— Hamlet III.ii O, what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in 's aspect,...
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The Literary Wittgenstein

John Gibson, Wolfgang Huemer - 2004 - 356 pages
...the discrepancy between the mere actor's histrionic intensity and his own culpable passivity: O, what a rogue and peasant slave am I! Is it not monstrous...whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting...
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Fantasies of Troy: Classical Tales and the Social Imaginary in Medieval and ...

Victoria University (Toronto, Ont.). Centre for Reformation and Renaissance Studies - 2004 - 306 pages
...when he has Hamlet, after one of the players recites a speech for him, play the drama critic: O, what a rogue and peasant slave am I! Is it not monstrous...whole conceit That from her working all his visage wanned. Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting...
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The Literary Wittgenstein

John Gibson, John Gibson, Dr, Wolfgang Huemer - 2004 - 356 pages
...the discrepancy between the mere artor's histrionic intensity and his own culpable passivity: O, what a rogue and peasant slave am I! Is it not monstrous...soul so to his whole conceit That from her working a1l his visage wanned, Tears in his eyes, distrartion in 's aspect, A hroken voice, and his whole function...
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Shakespeare and Marx

Gabriel Egan - 2004 - 176 pages
...pipe?' (3.2.357—8). Yet he is mightily impressed with the effect of a performance upon the performer: Is it not monstrous that this player here, But in...whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in "s aspect, A broken voice, and his whole function suiting...
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