...for example, produce profound results? Shakespeare's Hamlet certainly found that this was so: O, what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd; Tears in his eyes, distraction in's aspect,...

...translation5 of Hamlet's second soliloquy (Act II, scene ii), which begins as follows: Now I am alone. O what a rogue and peasant slave am I! Is it not monstrous...whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting...

...ROSENC'Z Good my lord. [they take their leave HAMLET Ay, so, God bye to you! Now I am alone. O, what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect,...

...emotional value of repeating in performance what has been heartily felt before by real people like himself: Is it not monstrous that this player here, But in...whole conceit That from her working all his visage wanned . . . And all for nothing. For Hecuba . . . This forgets, momentarily, the value of Hecuba's...

...pay you myself.' The tramp put his chin in his hands, and began again, with a puzzled frown: Oh, what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his own conceit That from his working all his visage wanned Tears in his eyes, Distraction in's aspect...

...style of performance by reference to the drama of the First Player, seemingly at first condemning him: Is it not monstrous that this player here, But in...whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting...