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" When we see a stroke aimed and just ready to fall upon the leg or arm of another person, we naturally shrink and draw back our own leg or our own arm... "
The Collected Works of Dugald Stewart - Page 18
by Dugald Stewart - 1858
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Seeing Red

Nicholas Humphrey - 2006 - 180 pages
...sensations, and even feel something which, though weaker in degree, is not altogether unlike them . . . When we see a stroke aimed and just ready to fall...in some measure, and are hurt by it as well as the sufferer.7 As a rule I think it's fair to say that mirrored sensory responses — if indeed this is...
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The Universal and the Particular in Legal Reasoning

Zenon Bankowski, James MacLean - 2006 - 306 pages
...because, through sympathy, it becomes their pain. But that is very unlikely. Think of Smiths example: When we see a stroke aimed and just ready to fall...in some measure, and are hurt by it as well as the sufferer.2 However, an enemy of the person who is about to be hit might derive a great amount of pleasure...
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Simulating Minds: The Philosophy, Psychology, and Neuroscience of Mindreading

Alvin I. Goldman - 2006 - 384 pages
...simulational phenomena in both motor and affective domains. Here are his comments on motor mimicry. When we see a stroke aimed, and just ready to fall...another person, we naturally shrink and draw back on our leg or our own arm. . . . The mob, when they are gazing at a dancer on the slack rope, naturally...
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The Natural Origins of Economics

Margaret Schabas - 2009 - 208 pages
...undergoing torture leads us to "tremble and shudder"; the sight of someone about to be whipped makes us "naturally shrink and draw back our own leg or our own arm" (Smith l7QO/ 1976, 9-10). Because our eyes are our most delicate organ, the sight of someone with sore...
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Empathy and the Novel

Suzanne Keen - 2007 - 274 pages
...10). Smith also notices the human propensity to motor mimicry that leads to an empathetic response: "When we see a stroke aimed, and just ready to fall...measure, and are hurt by it as well as the sufferer" (10). Emotional contagion in crowds does not escape Smith's notice: "The mob, when they are gazing...
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Gesture and the Dynamic Dimension of Language: Essays in Honor of David McNeill

Susan D. Duncan, Justine Cassell, Elena Terry Levy - 2007 - 340 pages
...situation. ln 18 century England, it was apparently common to see another person beaten in public: "When we see a stroke aimed, and just ready to fall...another person, we naturally shrink and draw back on our leg or our own arm" (Smith, 1759/1966:4). As reviewed in Bavelas, Black, Lemery, and Mullett...
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Phrenological Journal and Magazine of Moral Science, Volume 14

1841 - 430 pages
...demonstrated by many obvious observations, if it should not be thought sufficiently evident of itself. When we see a stroke aimed and just ready to fall...sufferer. The mob, when they are gazing at a dancer on the slack rope, naturally twist and writhe and balance their own bodies, as they see him do, and as they...
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Introduction to the Science of Ethics

Theodore De Laguna - 1914 - 446 pages
...usages of common speech are obviously in accordance with it. " When we see a stroke aimed and just about to fall upon the leg or arm of another person, we...sufferer. The mob, when they are gazing at a dancer on the slack rope, naturally writhe and twist and balance their own bodies, as they see him do, and as they...
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Annual Register, Volume 2

Edmund Burke - 1760 - 524 pages
...fee a ttroke aimed andjuft ready to fall upon the leg or arm of another perfon, we naturally flirink and draw back our own leg, or our own arm ; and when it does fall, we feel it in fome meafure, and are hurt by k as well as the fufferer. The mob,, when they are gazing at a dancer...
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The Scots Magazine, Or, General Repository of Literature, History ..., Volume 63

1801 - 916 pages
...aimed," he remarks, " and jnlt ready to fall upon the leg or arm of another perfon, we naturally (brink and draw back our own leg or our own arm ; and when it does fall, we feel it in fome meafure, and aré hurt by it as well as the fufferer. The mob, when they are gazing at a dancer...
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