 | Thomas Heywood, Sonia Massai - 2003 - 168 pages
...read alongside Tabor's reference to his 'pipe' at 2.2.27, echoes Shakespeare's Hamlet, 3.2.355-61: You would play upon me, you would seem to know my...lowest note to the top of my compass; and there is much music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood, do you think I... | |
 | Herbert Blau - 2002 - 375 pages
...hands as she reaches the other side of the circle, turns and speaks into the space: JUL: Why, look you now, how unworthy a thing you make of me! You would...stops, you would pluck out the heart of my mystery. DEN: Seems, madam? Nay, it is. I know not "seems. " Julie's tone changes again, a green thought in... | |
 | Adam Phillips - 2009 - 398 pages
...same token, Hamlet himself predicts what critics of the play will want to do to him; 'Why look you now, how unworthy a thing you make of me. You would...stops; you would pluck out the heart of my mystery . . .' (Act III, scene 2, 386). Hamlet says this to Guildenstern, as though there was a heart, a centre,... | |
 | William Shakespeare - 2002 - 214 pages
...look you now, how unworthy a thing you make of me. You would play upon me, you would seem to know 350 my stops, you would pluck out the heart of my mystery,...lowest note to the top of my compass; and there is much music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood, do you think I... | |
 | Wes Folkerth - 2002 - 168 pages
...the same scene he accuses Rosencrantz and Guildenstern of spying on him, employing the same metaphor: You would play upon me, you would seem to know my...out the heart of my mystery, you would sound me from the lowest note to the top of my compass; and there is much music, excellent voice, in this litde organ,... | |
 | Herbert Blau - 2002 - 378 pages
...side of the circle, turns and speaks into the space: JUL: Why, look you now, how unworthy a thingyou make of me! You would play upon me, you would seem...stops, you would pluck out the heart of my mystery. DEN: Seems, madam? Nay, it is. I know not "seems. " Julie's tone changes again, a green thought in... | |
 | Beth Eddy - 2009 - 224 pages
...the climactic passage, rather than the form. The Shakespearean passage in Burke reads: "Why, look you now, how unworthy a thing you make of me. You would...lowest note to the top of my compass; and there is much music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood, do you think I... | |
 | Richard M. Billow - 2003 - 260 pages
...rest is silence' (V, ii, 368). Hamlet does not trust the Establishment, which he fears is parasitic: You would play upon me; you would seem to know my...note to the top of my compass - and there is much music, excellent voice, in this little organ - yet cannot you make it speak.' (Ill, ii, 379-385) Hamlet... | |
 | Johannes Brahms, Siegmund Levarie - 2003 - 396 pages
...these cannot I command to any utterance of harmony; I have not the skill. Hamlet: Why, look you know, how unworthy a thing you make of me. You would play...out the heart of my mystery; you would sound me from the lowest note to the top of my compass; and there is much music, excellent voice, in this little... | |
 | J. Philip Newell - 2003 - 148 pages
...manipulate him, "how unworthy a thing you would make of me! You would play upon me [like an instrument]. You would seem to know my stops. You would pluck out...sound me from my lowest note to the top of my compass. . . . "Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will,... | |
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Why, look you now, how unworthy a thing you make of me ! You would play upon me ; you would seem to know my stops ; you would pluck out the heart of my mystery ; you would sound me from my lowest note to the top of my compass : and there is much music,... 
