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" Nor the dejected haviour of the visage, Together with all forms, modes, shows of grief, That can denote me truly: These, indeed, seem, For they are actions that a man might play : But I have that within, which passeth show; These, but the trappings and... "
The dramatic works of William Shakspeare - Page 8
by William Shakespeare - 1814
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Amleto

William Shakespeare - 1995 - 320 pages
...fruitful river in the eye, Nor the dejected 'haviour of the visage, Together with all forms, moods, shapes of grief, That can denote me truly. These indeed 'seem';...that a man might play. But I have that within which passes show These but the trappings and the suits of woe. Prenditi la tua ora bella, Laerte. II tempo...
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Shakespeare Survey, Volume 30

Kenneth Muir - 2002 - 232 pages
...fruitful river in the eye, Nor the dejected haviour of the visage, Together with all forms, moods, shapes of grief, That can denote me truly. These indeed seem,...that a man might play; But I have that within which passes show These but the trappings and the suits of woe. (1, ii, 76-85) The speech is of course familiar,...
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The Kendall/Hunt Anthology: Literature to Write About

K. H. Anthol - 2003 - 313 pages
...fruitful river in the eye, 80 Nor the dejected haviour of the visage, Together with all forms, moods, shows of grief. That can denote me truly. These indeed...might play; But I have that within which passeth show, 85 These but the trappings and the suits of woe. King. Tis sweet and commendable in your nature, Hamlet....
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Renaissance Drama 32: New

Jeffrey Masten, Wendy Wall - 2003 - 264 pages
...fruitful river in the eye, Nor the dejected haviour of the visage, Together with all forms, moods, shapes of grief, That can denote me truly. These indeed seem,...that a man might play, But I have that within which passes show These but the trappings and the suits of woe. (1.2.76-86)86 His "customary suits of...
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The Literary Wittgenstein

John Gibson, Wolfgang Huemer - 2004 - 356 pages
...fruitful river in the eye, Nor the dejected haviour of the visage, Together with all forms, moods, shows of grief That can denote me truly. These indeed...show These but the trappings and the suits of woe.24 (1.2.76-86) The distinction between "actions that a man might play" and "that within which passeth...
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Shakespeare and Marx

Gabriel Egan - 2004 - 176 pages
...fruitful river in the eye, Nor the dejected haviour of the visage, Together with all forms, moods, shows of grief That can denote me truly. These indeed...might play; But I have that within which passeth show (1.2.76-85) The things that do not denote him 'truly' read like theatrical cliches that Hamlet...
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All Theater is Revolutionary Theater

Benjamin Bennett - 2005 - 241 pages
...signs of our feeling become visible. As Hamlet says, referring to the signs of grief in his demeanor: "These indeed seem, / For they are actions that a... / These but the trappings and the suits of woe" (1.2.83-86). It has to be true that the individual is a fully integrated unit, having its own inviolable...
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Shakespeare and His Comedies

John Russell Brown - 2005 - 252 pages
...solemn black, Nor windy suspiration of forced breath, No, nor the fruitful river in the eye, . . . . . . these indeed seem, For they are actions that a man...show; These but the trappings and the suits of woe. (I. ii. 77-86) Hamlet's clothes, like Rosalind's and Petruchio's, are his appearance as compared with...
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The Great Comedies and Tragedies

William Shakespeare - 2005 - 896 pages
...river in the eye, 80 Nor the dejected haviour of the visage, Together with all forms, motes, shapes of grief, That can denote me truly. These indeed seem,...that a man might play, But I have that within which passes show, These but the trappings and the suits of woe. KING 'Tis sweet and commendable in your...
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Shakespeare's Window Into the Soul: The Mystical Wisdom in Shakespeare's ...

Martin Lings - 2006 - 224 pages
...father: Seems, madam! Nay, it is; I know not 'seems.' Tis not alone my inky cloak, good mother . . . Together with all forms, modes, shows of grief, That...show; These but the trappings and the suits of woe. (1, 2, 76-82) Then when he is left alone, and in scenes that closely follow, other aspects of perfection...
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