 | Jean-François Chanlat - 1990 - 868 pages
...concept d'ego. » Emile BENVENISTE « L'homme est par nature dialogal. » Claude HAGÈGE « There's a language in her eye, her cheek, her lip Nay her foot...spirits look out At every joint and motive of her body. » William SHAKESPEARE L'ETRE HUMAIN, UN ÊTRE DE PAROLE Jean-François CHANLAT Aujourd'hui, le thème... | |
 | Margaret Tudeau-Clayton, Martin Warner - 1991 - 240 pages
...precisely the same joke as the one at Cressida's expense in Troilus and Cressida (TV. v. 54-63): 'Ulysses. Fie, fie upon her! / There's language in her eye,...these encounterers, so glib of tongue, / That give accosting welcome ere it comes, / And wide unclasp the tables of their thoughts / To every ticklish... | |
 | R. J. Rummel - 320 pages
...that tie the hidden soul of harmony. (John Milton. L'Allegro) CHAPTER 8 THE COMMUNICATION PRINCIPLE There's language in her eye, her cheek, her lip, Nay,...spirits look out, At every joint and motive of her body. (Shakespeare. Troilus and Cressida. IV. v.) You are an individual among other individuals. Each a subjective... | |
 | Robert P. Merrix, Nicholas Ranson - 1992 - 320 pages
...results in her becoming, to Ulysses, the harlot, the "grotesque body" which speaks its own language: Ulyss. Fie, fie upon her! There's language in her...her body. O, these encounterers, so glib of tongue, 47For information concerning the traditional forms of the shaming ritual see David Underdown, "The... | |
 | David D. Acker - 1994 - 142 pages
...think long." message may get lost if you become too involved in "staging" the presentation. There's a language in her eye, her cheek, her lip, Nay, her...spirits look out At every joint and motive of her body. —William Shakespeare VI NON-VERBAL COMMUNICATION SKILLS When Demosthenes was asked what was the first... | |
 | Laura Christian Ford - 1994 - 308 pages
...scene, Ulysses tells Nestor what he thinks of her in terms that almost say she asked for it: ULYSSES: Fie, fie upon her! There's language in her eye, her...O, these encounterers, so glib of tongue, That give accosting welcome ere it comes, And wide unclasp the tables of their thoughts To every ticklish reader!... | |
 | Cathy Lynn Preston - 1995 - 294 pages
...about sexism and a good deal more. Writing Women: The Romance Writers of America 1992 Spring Conference Fie, fie upon her! There's language in her eye, her...spirits look out At every joint and motive of her body. — William Shakespeare (Trotlus and Cressida) The good ended happily and the bad unhappily. That is... | |
 | Lisa Jardine - 1996 - 228 pages
...the same joke as die one made at Cressida's expense in Troilus and Cresstda (4.5.54-63): ''Ulysses. Fie, fie upon her! / There's language in her eye,...these encounterers, so glib of tongue, / That give accosting welcome ere it comes, / And wide unclasp the tables of their thoughts / To even- ticklish... | |
 | J. L. Styan - 1996 - 452 pages
...Greeks and leaves the stage under the jaundiced eye of Ulysses: NESTOR. A woman of quick sense. ULYSSES. Fie, fie upon her! There's language in her eye, her...spirits look out At every joint and motive of her body. (4-5-54-7) It is for the audience to look at Cressida's protracted departure upstage and decide whether... | |
 | Hugh Grady - 1996 - 270 pages
...been read as Ulysses interprets it at the end, as proof of Cressida's infidelity and worthlessness: Fie, fie upon her! There's language in her eye, her...spirits look out At every joint and motive of her body. (iv. v. 54-7) But in Ulysses ' metaphor, the wanton spirits that look out from Cressida's body are... | |
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Fie, fie upon her! There's language in her eye, her cheek, her lip, Nay, her foot speaks; her wanton spirits look out At every joint and motive of her body. 
