The Works of Shakespeare, Volume 11Macmillan and Company, limited, 1903 |
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Page 119
... figure in the first part are now assigned to Shakespeare by common consent . It is as difficult to doubt the hand of the coming master in the powerful delineation of this great English soldier and his sturdy son as it is to find that ...
... figure in the first part are now assigned to Shakespeare by common consent . It is as difficult to doubt the hand of the coming master in the powerful delineation of this great English soldier and his sturdy son as it is to find that ...
Page 130
... Figures pedantical . The youthfulness of the writer of the play is shown by the great preponderance of lines that rhyme , and by its marked lyrical character , which stamps it as the work of a brilliant poet rather than of an ...
... Figures pedantical . The youthfulness of the writer of the play is shown by the great preponderance of lines that rhyme , and by its marked lyrical character , which stamps it as the work of a brilliant poet rather than of an ...
Page 131
William Shakespeare Charles Harold Herford. The stock figures with which the stage was familiar are prominent in the play ; the chief actors are sketched with a free hand rather than carefully drawn and strongly individualized after the ...
William Shakespeare Charles Harold Herford. The stock figures with which the stage was familiar are prominent in the play ; the chief actors are sketched with a free hand rather than carefully drawn and strongly individualized after the ...
Page 145
... figures , landscapes , and incidents which he must have seen or known in the country about Stratford in his youth . His earliest poetic experiments were in the classical vein ; for he knew the classical background of modern poetry as ...
... figures , landscapes , and incidents which he must have seen or known in the country about Stratford in his youth . His earliest poetic experiments were in the classical vein ; for he knew the classical background of modern poetry as ...
Page 157
... of characterization , as in the splendid figure of Mercutio ; the rising tide of emotion which bears the ill - fated lovers to their death , do not make us blind to the fact that this beautiful and appealing 157 The Poetic Period.
... of characterization , as in the splendid figure of Mercutio ; the rising tide of emotion which bears the ill - fated lovers to their death , do not make us blind to the fact that this beautiful and appealing 157 The Poetic Period.
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action actors appeared artistic beauty Ben Jonson brought century character charm chronicle plays church classical comedy contemporaries creative deep drama dramatist earlier England English experience expression fact Falstaff fate feeling force fortunes freedom friends genius Globe Theatre Hamlet hand harmony Henry human humour imagination influence insight instinct interest Italian John Shakespeare Jonson Julius Cæsar kind King later literary literature lived London Love's Labour's Lost lyrical Macbeth manner Marlowe material mind mood moral nature ness noble passion period play players playwright plot poem poet poet's poetic poetry popular presented probably Puritan Queen Rape of Lucrece romance Romeo and Juliet Shake significance Sonnets speare speare's speech spirit stage story Stratford taste temper theatre thought tion Titus Andronicus touch tradition tragedy tragic Venus and Adonis verse vital Warwickshire writing written young