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Nay, death itself could not their hearts divide,
They mix'd their love with monumental pride;
For, cut in ftone, they still lay fide by fide.
But why thefe Gothic ancestors produce?
Why scour their rufty armours? What's the ufe:
'Twould not your nicer optics much regale,
To fee us beaux bend under coats of mail :
Should we our limbs with iron doublets bruife..
Good Heaven! how much court-plaifter we
fhould use!

We wear no armour now-but on our fhoes.
Let not with barbarifm true tafte be blended;
Old vulgar virtues cannot be defended;
Let the dead reft-we living can't be mended.

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108. Epilogue to Fatal Falsehood; 1779. SHERIDAN. UNHAND me, gentlemen, by Heaven, I fay, I'll make a gloft of him who bars my way. [Bebind the fcenes.

Forth let me come-a poetafter true,
As lean as envy, and as baneful too;
On the duli audience let me vent my rage,
Or drive these female fcribblers from the ftage;
For fenfe or history, we 've none but these,
The law of liberty and wit they feize;
In tragic-comic-paftoral-they dare to

pleafe.

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Each puny bard muft furely burst with spite,
To find that women with fuch fame can write:
But O, your partial favour is the cause,
Who feed their follies with fuch full applaufe;
Yet still our tribe thall feek to blaft their fame,
And ridicule each fair pretender's aim;
Where the dull duties of domeftic life
Wage with the Mufe's toils eternal ftrife.

What motley cares Corilla's mind perplex,
While maids and metaphors confpire to vex!
In ftudious difhabille behold her fit,
A letter'd goflip, and a housewife wit;
At once invoking, though for different views,
Her gods, her cook, her milliner, and mufe;
Round her firew'd room a frippery chaos lies,
A chequer'd wreck of notable and wife;
Bills, books, caps, couplets, combs, a varied mafs,
Oppress the toilet, and obfcure the glafs;
Unfinish'd here an epigram is laid,

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When, dire mishap! tho' neither fhame nor fin,
Sappho herself, and not her Mufe, lies in.
The virgin Nine in terror fly the bow'r,
And matron Juno claims defpotic pow'r :
Soon Gothic hags the claffic pile o'erturn,
A caudle-cup fupplants the facred urn;
Nor books nor implements efcape their rage.
They fpike the ink-ftand, and they rend the
page:

Poems and plays one barbarous fate partake;
Ovid and Plautus fuffer at the ftake; [cake.
And Ariftotle's only fav'd-to wrap plum-

Yet thall a woman tempt the tragic scene?
And dare-but hold-I muft reprefs my fpleen;
I fee your hearts are pledg'd to her applause,
While Shakspeare's fpirit seems to aid her caufe;
Well pleas'd to aid-fince o'er his facred bier-
A female hand did ample trophies rear,
And gave the gentlett laurel that is worshipp'd

there.

$109. Prologue to the Fathers; 1779. GARRICK. WHEN from the world departs a fen of fame, His deeds or works embalm his precious

name;

Yet, not content, the public call for art,
To refcue from the tomb his mortal part;
Demand the painter's and the fculptor's hand,
To fpread his mimic form throughout the land;
A form, perhaps, which living was neglected,
And, when it could not feel respect, respected.
This night, no butt or picture claims your praifes
Our claim 's fuperior---we his fpirit raife;
From Time's dark sto:c-house bring a long-left
play,

And drag it from oblivion into day.

But who the author? Need I name the wit, Whom Nature prompted as his genius writ Truth fmil'd on Fancy for each well-wrought ftory,

Where characters live, act, and stand before ye.
Suppofe thefe characters, various as they are,
The knave, the fool, the worthy, wife, and fair,
For and against the author pleading at your bar.
First pleads Tom Jones---grateful his heart and

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Now Blifil bows---with fmiles his falfe heart gild-Scarce rural Kenfington due honour gains,

ing...

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"Damn 'en thefe wits are varmint not worth breeding: ["ing? "What good e'er came of writing and of readNext comes, brim full of spite and politics, His fifter Western-- and thus deeply speaks: "Wits are arm'd pow'rs; like France attack the 66 foc;

"Negotiate till they fleep---then ftrike the blow." Allworthy laft pleads to your nobleft paffions : "Ye gen'rous leaders of the tastes and fashions, "Departed Genius left his orphan play "To your kind care---what the dead wills, obey "O then respect the father's fond bequest, "And make his widow fimile, his fpirit reft!" § 110. Prologue to the Miniature-Picture; 1780. SHERIDAN.

CHILL'D by rude gales, while yet reluctant

May

Withholds the beauties of the vernal day;
As fome fond maid, whom matron frowns reprove,
Sufpends the fmile her heart devotes to love;
The feafon's pleasures too delay their hour,
And winter revels with protracted pow'r:
Then blame not, critics, if thus late we bring
A winter's drama; but reproach—the spring.
What prudent cit dares yet the season trust,
Bak in his whisky, and enjoy the duft?
Hous'd in Cheapfide, fcarce yet the gayer fpark
Achieves the Sunday triumph of the Park;
Scarce yet you fee him, dreading to be late,

The vulgar verdure of her walk remains, Where white-rob'd miffes amble two by two, Nodding to booted beaux-"How do, how do?" With gen'ral queftions, that no answer wait, "How vaftly full! A'n't you come vaftly late? "Isn't it quite charming? When do you leave

"town?

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But fee a critic ftarting from his bench

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A noble author?" Yes, Sir, but the play 's not French;

Yet if it were, no blame on us could fall,
For we, you know, muft follow fashion's call:
And true it is, things lately were in train
To woo the Gallic Mufe at Dury-lane;
Not to import a troop of foreign elves,
But treat you with French actors-in ourselves:
A friend we had, who vow'd he 'd make us
fpeak

Pure flippant French-by contract-in a week;
Told us 't was time to ftudy what was good,
Polith, and leave off being understood:
That crowded audiences we thus might bring
To Monfieur Parfons, and Chevalier King:
Or fhould the vulgars grumble now and then,
The prompter might tranflate---for country gen-

tlemen.

Straight all fubfcrib'd---kings, gods, mutes, finger, actor;

A Flanders figure-dancer our contractor.
But here I grieve to own, tho' 't be to you,
He acted---e' enas moft contractors do,
Sold what he never dealt in; and, th' amount

Being firft difcharg'd, fubmitted his account.

And what th' event? Their industry was fuch,
Dodd fpoke good Flemish, Bannifter bad Dutch:
Then the rogue told us, with infulting eafe,
So it was foreign it was fure to please:
Beaux, wits applaud, as fashion fhould command,
And miffes laugh---to feem to understand-
So from each clime our foil may fomething gain;
Manhood from Rome, and fprightlinefs from

Spain;

Some Ruffian Rofcius next delight the age, And a Dutch Heinel fkate along the ftage. Exotic fopperics, hail! whose flatt'ring fimile Supplants the fterner virtues of our ifle!

Scour the New-road, and dafh thro' Grofvenor-Thus while with Chinefe firs and Indian pines

gate.

Anxious-and fearful too-his fteed to fhew,
The hack'd Bucephalus of Rotten-row :
Carclefs he feems, yet vigilantly fly,
Woes the ftray glance of ladies paffing by;
While his off-heel, infidioufly afide,
Provokes the caper which he feems to chide.

Our nurs'ries fwarm, the British oak declines:
Yet vain our Mufes fear---no foreign laws
We dread, while native beauty pleads our caufe:
While you too judge, whofe fmiles are honours
higher

Than verfe fhould gain, but were thofe eyes infpire.

The late Henry Fielding, fq. author of t eplay.
3S3

But

But if the men prefume your pow'r to awe,
Retort their churlish fenatorial law:
This is your houfe---and move---the gentle-
men withdraw:

Then they may vote, with envy never ceafing,
Your influence has increas'd and is increafing:
But there, I truft, the refolution 's finifh'd;
Sure none will fay---it ought to be diminish'd.

§ 111. Epilogue to the fame; 1780. JEKYLL. THE men, like tyrants of the Turkish kind, Have long our fex's energy confin'd;

In full-drefs black, and bows, and folemn ftalk,
Have long monopoliz'd the Prologue's walk;
But ftill the flippant Epilogue was ours,
It afk 'd, for gay fupport, the fernale pow'rs;
It afk'd a flirting air, coquet and free,
And fo, to murder it, they fix on me.

Much they mistake my talents---I was born To tell, in fobs and fighs, fome tale forlorn; To wet my handkerchief with Juliet's woes, Or turn to Shore's defpair my tragic nofe.

Yes, gentlemen, in education's fpite, You ftill fhall find that we can read and write; Like you, can fwell a debt or a debate, Can quit the card-table to fleer the state, And bid our Belle Affemblée's rhet'ric flow, To drown your dull declaimers at Soho! Methinks e'en now I hear my fex's tongues, The thrill, fmart melody of female lungs ! The ftorm of question, the divifion calm, WithHear her! hear her! Mrs. Speaker,

"Ma'am!

"O order! order!" Kates and Sufans rife,
And Margret moves, and Tabitha replies.
Look to the camp---Coxheath and Warley
Commen

Supplied, at leaft, for ev'ry tent a woman;
The cartridge-paper wrapp'd the billet-doux,
The rear and piquet form'd the rendezvous;
The drum's ftern rattle fhook the nuptial bed,
The knapsack pillow'd Ledy Sturgeon's head;
Love was the watch-word, till the morning fife
Rous'd the tame Major and his warlike wife.

Look to the ftage---to-night's example draws
A female Dramatift to grace the caule-
So fade the triumphs of prefumptuous man!
And would you, ladies, but complete my plan,
Here thould ye fign fome patrio: petition
To mend our conftitutional condition.
The men invade our rights, the mimic elves
Lifp and nick-name God's creatures like ourselves,
Rouge more than we do, fimper, flounce, and fret,
And they coquet, good gods, bow they coquet!
They too are coy; and, monftrous to relate,
Theirs is the coynefs in a tête-à-tête.
Yes, ladies, yes, I could a tale unfold,
Would barrow up your---cushions---were it told;
Part your combined curls, and freeze---pomatum,
At griefs and grievances, as I could ftate 'em.
But fuch eternal blazon muft not speak;
Befides, the Houfe adjourns fome day next week.

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There fcholars, fimple nature caft afide,
Have trick'd their heroes out in clathic pride;
No fcenes where genuine paifon runs to wafte,
But all hedg'd in by fhrubs of modern tafte!
Each tragedy laid out like garden grounds,
One circling gravel marks its narrow bounds.
Lillo's plantations were of foreft growth---
Shakspeare's the fame---great nature's hand in
both!

Give me a tale the paffions to controul,
"Whofe flighteft word may harrow up the foul!"
A magic potion, of charm'd drugs commixt,
Where pleasure courts, and honour comes betwixt!

Such are the scenes that we this night renew, Scenes that your fathers were well-pleas'd to view. Once we half-paus'd---and while 'cold fears pre

vail,

Strive with faint ftrokes to foften down the tale;
But foon, attir'd in all its native woes,
The fhade of Lillo to our fancy rofe:

heck thy weak hand, it faid, or feem'd to say--
Nor of s manly vigour rob my play!
From British annals I the fory drew,
And British hearts thall feel, and bear it too.
Pity fhall move their fouls, in spite of rules;
And terror takes no leffon from the fchools.

Speak to their bofors, to their feelings truft,
You ll find their fentence generous and jy?.

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For then, the Moro's gallant chief o'erthrown,
Th' Havannah faw his fate, and felt her own:
The ie f-fame day, the fame aufpicious morn,
Our elder hope, our Prince, our George was born
Upon his natal hour what triumphs wait!
What captive treatures crowd the palace-gate!
What double joys the Royal Parent claim,
Of homefcit happinefs and public fame!

Thus here, let mirth and frank good-humour's

balm

calm!

Make cenfure mild, fcorn kind, and anger
Some wholefome bitters if the bard produces,
'Tis only wormwood to correct the juices.
In this day's conteft, where, in colours new,
Three play-houfe candidates are brought to view,
Our little Bayes encounters fome difgrace:

Long, very long, great George, protect the Should you reject him too, I mourn his cafe---
He can be chofen for no other place.

land,

Thy race, like arrows in a giant's hand!

For ftill, tho blights may ip fome infant rofe,
And kill the budding beauty ere it blows,
Indulgent Heaven prolongs th' illuftrious line,
Branching like th' olive, cluft'ring like the vine.
Long, very long, thy courfe of glory run,
A bright example to thy Royal Son!
Forming that Son to grace, like thee, the throne,
And make his Father's virtues all his own!

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ftamp.

Falfhood's vil glofs converts the very Bible
To fcandalum magnatum, and a libel.

Thus once when fick Sir Gripus, as we're told,
In grievous ufury grown rich and old,
Bought a good book that, on a chriftian plan,
Inculcates The Whole Duty of a Man.
To every fin a finner's name he tack'd,
And thro' the parish all the vices track`d:
And thus, the comment and the text enlarging,
Crowds all his friends and neighbours in the
margin.

Pride, was my lord; and drunkenness, the 'fquire;
My lady, vanity and loofe defire;
Hardness of heart, no mifery regarding,
Was overfeer---luxury, churchwarden.
All, all he damn'd; and, carrying the farce on,
Made fraud the lawyer---gluttony, the parfon.
'Tis faid, when winds the troubled deep de-
form,

Pour copious ftreams of oil, 'twill lay the form:

$115. Prologue to Two to One; 1784.

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COLMAN.

TO-NIGHT, as heralds tell a virgin mufe,

An untrain'd youth, a new advent'rer, fues;
Green in his one-and-twenty, fcarce of age,
Takes his first flight, half fledg'd, upon the
ftage.

Within this little round the parent bird
Hath warbled oft; oft patiently you heard;
And as he ftrove to raife his eager throat,
Your kind applaufe made music of his note.
But now, with beating heart and anxious eye,
He fees his vent'rous youngling ftrive to fly:
Like Dædalus, a father's fears he brings,
A father's hopes, and fain would plume his
wings.

How vain, alas, his hopes! his fears how

'Tis

vain 1

you must hear, and hearing judge the
ftrain.

Your equal juftice finks or lifts his name;
Your frown's a fentence, your applaufe is fame.
If humour warms his fcenes with genial fire,
They 'll ev'n redeem the errors of his fire;
Nor thall bis lead-dead! to the bottom drop,
By youth's enliv'ning cork buoy'd up at top.
If characters are maik'd with cafe and truth,
Pleas'd with his fpirit, you'll forgive his youth.
Should fire and fon be both with dulnefs curft,
"And Dunce the fecond foilow Dunce the
"first,"

The fhallow ftripling's vain attempt you'll mock,
And damn him for a Chip of the old Block.

3116.

Prologue occafioned by the Death of Mr.
Henderfon; 1785.
MURPHY.

ERE fiction try this night her magic strain,
And blend myfteriously delight with pain;
Ere yet the wake her train of hopes and fears
For Jaffier's wrongs and Belvidera's tears
Will you permit a true, a recent grief
To vent its charge, and feek that kind relief?

How fhall we feel the tale of feign'd distress,
While on the heart our own afflictions prefs!
When our own friend, when Henderson expires,
And from the tomb one parting pang requires !
In yonder Abbey fhall he reft his head,
And on this fpot no virtuous drop be thed?

You will indulge our grief:-thole crowded

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Hearts that with gen'rous emulation burn,
To raife the widow, drooping o'er his urn;
And to his child, when reafon's op'ning ray
Shall tell her tobom the loft, this truth convey:

Her father's worth made each good man his

friend;

Honour'd through life, regretted in his end!
And for his relatives to help his fiore,

An audience gave, when he could give no more.
Him we all mourn; his friends ftill heave the
figh,

And fill the tear ftands trembling in the eye.
His was each mild, cach amiable art,
The gentlett manners and the feeling heart;
Fair fimple truth; benevolence to all;
A gen'rous warmth, that glow'd at friendship's
call;

A judgment fure, while learning toil'd behind;
His mirth was wit; his humour, fenfe refin'd;
A foul above all guile, all meaner views;
The friend of fcience, friend of ev'ry mufe!
Oft have I known him in my vernal year-
This no feign'd grief-no artificial tear!
Oft in this breast he wak'd the Mufes' flame;
Fond to advife, and point my way to fame.
Who moft fhall praife him, all are ftili at ftrife;
Expiring virtue leaves a void in life.

A void our scene has felt:-with Shakspeare's
page

Who now, like him. fhall animate the stage?
Hamlet, Macbeth, and Benedick, and Lear,
Richard, and Wolfey, pleas'd each learned ear.
If feigning well be our confummate art,
How great his praife, who in Iago's part
Could utter thoughts fo foreign to his heart?
Falftaff, who fhook this houfe with mirthful

roar,

Is now no counterfeit- he 'll rife no more!
'Twas Henderfon's the drama to pervade,
Each paffion touch, and give cach nicer fhade.
When o'er thefe boards the Roman Father
pals'd-

But I forbear-that effort was his laft.

The Muse there faw his zeal, tho' rack'd with pain,

While the flow fever ambush'd in each vein.
She fought the bed where pale and wan he lay,
And vainly tried to chafe difeafe away;
Watch'd ev'ry look, and number'd ev'ry figh,
And gently, as he liv'd, the faw him die.
Wild with her griefs, fhe join'd the mournful
throng,

With fullen found as the hearfe mov'd along :
Thro' the dim vaulted ailes the led the way,
And gave to genius paft his kindred clay,
Heard the last requiem o'er his relics cold,
And with her tears bedew'd the hallow'd mould.
In faithful verfe, there, near the lonely cell,
The fair recording epitaph may tell,
That he who now lies mould'ring into duft,
Was good, was upright, generous, and just ;
By talents form'd to grace the poet's lays;
By virtue form'd to dignify his days.

§ 117. Epilogue intended to be spoken by Mr.
Shuter, in the Character of a Schoolmafler, with
a Rod in bis Hand.

WHEN vice and folly are a nation's banc,
When poets writ, and parsons preachin vain,
When fatire's fting and moral precepts fail,
Then threats and rougher methods must prevail.
Behold a schoolmaster—Ticklebreech by name,
Who comes a headstrong people to reclaim ;
To Jafh thofe foibles now fo common grown,
And once more place fair Virtue on her throne.
This magic rod, tho' nought but fimple wood,
With wonders ftrange to mention is endued.
If to that part of man we all deride
Twill make a lawyer honeft 'gainft his wil,
'Tis rightly handled, and with fkill applied,
The doctor fave the patient he would kill,
The ftatefman too, that Atlas of the state,
Who toils, and fweats, and bends beneath the
weight

Of places, penfions, finecures, and fees,
At the firft ftroke will find immediate cafe:
With joy he 'il caft the pond'rous load afide,
And at the helm take honour for his guide;
Relieve the indigent without a bribe,
And fpurn at fycophants, that fawning tribe.
The modern Bobadil, who in taverns boafts
The feats he did when on proud Gal ia's coafts,
How twenty Frenchmen at a time he flew,

Twenty more-kill 'em ; twenty more-kill

"them too!"

When in the field his looks his fears betray,
And his own fhadow makes him run away;
But if the force of this fame twig he feels,
Mount to his heart, his martial bofom warm,
His courage ftraight will leave his friendly heels,
And, like brave Pruffia, the whole world alarm.

Next, to the male-coquet I mean to fpeak,
Whose head, and heart, and nerves alike are weak;
Who, like that curious mask which top feigns
The fox admir'd, yet mourn'd the want of brains;
Who plies his glafs, and grinning cries," Sir
Peter,

"creature!

" There's a fine girl! Gad's curfe! a charming
"What eyes, what lips! and then her shape and
[gait!
"She must be mine, 'egad, at any rate.”
This wand, if once it touch the coxcomb's tail,
I do affure him, ne'er was known to fail ;
He'll own its charms furpafs his fals and drops,
For into men it changes fools and fops;
Makes 'em look wife, fay little, and do more;
All which, I'm fure, they never did before.

In good queen Befs's happy golden reign,
The British fair their virtues did maintain;
But, fhame to tell, how dreadful the reflection!
The fex is now fo bad to want correction-
But hold, methinks from yonder box I hear
My Lady Dainty thus exprefs her fear:
"Lard! fure the filthy fellow does not mean
"To turn us up; he won't be so obscene:
"I'll go this inftant, and afk Mr. Rich,
"How he dares fuffer this rude Ticklebreech-"
Ladict,

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