Fyodor Dostoevsky's Crime and Punishment: A CasebookThis Casebook is a collection of interpretations of Crime and Punishment. The selection not only reflects earlier work by major critics in the field, but also more recent studies. At the same time the choice of critical approaches has been made on the basis of covering the novel's various aspects: Dostoevsky's debt to other novelists in the European tradition; his roots as a writer in the so-called "Natural School" of the 1840s with its emphasis on the theme of the city; the thematic and symbolic structure of the novel itself; the psychology of the hero; the philosophical content of the novel and its relationship to contemporary thought; the novel's religious dimension. This latter approach has long been established in western criticism, but the two essays with which the Casebook concludes are by modern Russian scholars, who examine the novel in the light of their own Orthodox tradition. |
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Contents
Introduction | 3 |
Crime and Punishment | 17 |
Raskolnikovs City and the Napoleonic Plan | 37 |
Crime and Punishment | 51 |
Motive and Symbol | 75 |
A Psychologists View | 103 |
Crime and Punishment and Contemporary Radical Thought | 119 |
The Other World in Crime and Punishment | 149 |
The Epilogue of Crime and Punishment | 171 |
189 | |
193 | |
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accepted action already Alyona appears attempt become beginning believe called character Chernyshevsky close commit confession course Crime and Punishment criminal dead death devil door Dostoevsky dream Dunya early Elizaveta expression eyes face fact feels finally follows forced gives hand Haymarket heart hero human icon idea interest kill later leave letter live look Luzhin Madonna man’s Marmeladov means meet mind moral mother motives murder Napoleon nature never Notes novel old woman once Peace Petersburg Pisarev Porfiry possible present prostitution question radicals Raskolnikov rational reader reading reality reference Russian scene scientific seems seen sense shows side significance social society Sonia Sonya stand step street suffering Svidrigaylov symbol taken theme theory thought turn whole writing young