The Art of Elocution: From the Simple Articulation of the Elemental Sounds of Language, Up to the Highest Tone of Expression in Speech, Attainable by the Human VoiceSampson, Low, 1846 - 383 pages |
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Page 33
... breath without vocality . * Such is the sound of p heard in p - ad , t in t - ime , s in s - igh , fin f - ade ; the ... breath , " as the distinctive mark of the pure semi - vowels . Voice without breath ! This is an organic ...
... breath without vocality . * Such is the sound of p heard in p - ad , t in t - ime , s in s - igh , fin f - ade ; the ... breath , " as the distinctive mark of the pure semi - vowels . Voice without breath ! This is an organic ...
Page 34
... prolonged to an indefinite time , without any change of tone , or serpent - like sibilation . Voice without breath is flame without fire ! alteration of the vocal organs , from the commencement to 34 ART OF ELOCUTION .
... prolonged to an indefinite time , without any change of tone , or serpent - like sibilation . Voice without breath is flame without fire ! alteration of the vocal organs , from the commencement to 34 ART OF ELOCUTION .
Page 42
... breath - in Y , over the tongue - in W , through the pro- truded lips . DIRECTION . The pupil , or teacher , must pay particular at- tention to the organic formation of the subtonics and atonics , as it will enable him easily to correct ...
... breath - in Y , over the tongue - in W , through the pro- truded lips . DIRECTION . The pupil , or teacher , must pay particular at- tention to the organic formation of the subtonics and atonics , as it will enable him easily to correct ...
Page 65
... breath , than an absolute pause . RULES FOR PAUSE . 1. SHORT PAUSE . The short Pause , or quaver - rest , is used generally ( .1 . The nominative phrase ; that is , several words composing one phrase , and standing as the nominative to ...
... breath , than an absolute pause . RULES FOR PAUSE . 1. SHORT PAUSE . The short Pause , or quaver - rest , is used generally ( .1 . The nominative phrase ; that is , several words composing one phrase , and standing as the nominative to ...
Page 145
... breath ; the pipe - the throat - must have full play , -the orifice of the mouth must be well opened , and the sound must be poured through it in a copious , swelling stream ; interrupted , momentarily , by pause or rests , --on which ...
... breath ; the pipe - the throat - must have full play , -the orifice of the mouth must be well opened , and the sound must be poured through it in a copious , swelling stream ; interrupted , momentarily , by pause or rests , --on which ...
Other editions - View all
The Art of Elocution: From the Simple Articulation of the Elemental Sounds ... George Vanderhoff No preview available - 2015 |
Common terms and phrases
accelerando accented Adrastus antithesis arms articulation beauty blood breath Brutus Cæsar Cassius character Christian close common compound inflections dark death delivery diphthongal distinct doth ducats earth elementary sounds emphasis of force emphasis of sense EXAMPLES exercise expression falling inflection feeling gesture give Godfrey of Bouillon grace hand Harfleur hath heard heart heaven Helon high pitch honor hope human voice Intonation king language light live Lochinvar Lord marked melody ment mercy middle pause middle pitch mind nature Netherby never noble o'er orator passage passion perfect practice presto pronominal phrase prose prosodial quired reading rhythm rising inflection Roche Rome rules sentence Shaks Shylock simple solemn soul speak speaker speech spirit style syllables system of Elocution tears thee thought tion tone tonic sound utterance Vandenhoff's Venice verse voice vowel weep word