The Epic VoiceMouton, 1968 - 140 pages |
From inside the book
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Page 42
... Nestor's utterances as an example of mental image or an actual speech ( and I would incline to the latter in Nestor's case ) , the result of characterization by the technique of personal exposure is the same . We know more about Nestor ...
... Nestor's utterances as an example of mental image or an actual speech ( and I would incline to the latter in Nestor's case ) , the result of characterization by the technique of personal exposure is the same . We know more about Nestor ...
Page 57
... Nestor's story is the movement from the omniscient voice of the first two books to the restricted voice of the third . Nestor's story is really divided into three parts and serves a triple function . First , he describes the quarrel ...
... Nestor's story is the movement from the omniscient voice of the first two books to the restricted voice of the third . Nestor's story is really divided into three parts and serves a triple function . First , he describes the quarrel ...
Page 58
... Nestor's story and in other instances adding details that Nestor could not have known . The effect of such an accumulation of detail does two things : 1 ) It leads up to Ulysses ' own narration which then becomes the large complement of ...
... Nestor's story and in other instances adding details that Nestor could not have known . The effect of such an accumulation of detail does two things : 1 ) It leads up to Ulysses ' own narration which then becomes the large complement of ...
Common terms and phrases
Abdiel Achilles Adam Adam's adventures Aegisthus Aeneas's Aeneid Agamemnon allegory Amphialus Andromana angelic Antiphilus Arcadia Ariostan artistic audience Basilius Basilius's Beowulf Book Bowra C. S. Lewis Canto chapter characterization characters creation critics delegated voice device distinction divine dramatic E. M. W. Tillyard English epic epic poem epic simile epic voice episode example exposition Faerie Queene fiction function Guyon hero heroic poem Homer Iliad incident intention ironic Kalander's kind knowledge later limited literary epic main action main plot medias res structure metaphor Milton modulation Musidorus and Pyrocles Musidorus's narrative Nestor's obvious Odyssey Old Arcadia omniscient narration omniscient voice Pamela Paradise Lost parallel Phaeacians Philoclea poet poet's Poetry princes problem Raphael Raphael's narration recitation recognize Red Cross relationship restricted narration restricted voice reveals revision rhetorical romance romantic epic Satan's Sidney Sidney's Arcadia significant speaker Spenser story Swedenberg tangential narrations tion tradition Troy Ulysses Virgil Zelmane