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WORDSWORTH'S POEMS.

WILLIAM WORDSWORTH is generally allowed to have exercised a deeper and more permanent influence upon the literature and modes of thinking of our age, than any of the great poets who lived and wrote during the first quarter of the present century. In proportion as his fame was of slower growth, and his poems were longer in making their way to the understanding and affections of his countrymen, so their roots seem to have struck deeper down, and the crown of glory that encircles his memory is of gold, that has been purified and brightened by the fiery ordeal through which it has passed. Tennyson says of the laureate wreath which he so deservedly wears, that it is

Greener from the brows

Of him who uttered nothing base.

And this, which seems at first sight negative praise, is, in reality, a proof of exquisite discernment; for

it is just that which constitutes the marked distinction between Wordsworth and the other really original poets who are likely to share with him the honour of representing poetically to posterity the early part of the nineteenth century. In their crowns there is alloy, both moral and intellectual. His may not be of so imperial a fashion; the gems that stud it may be less dazzling, but the gold is of ethereal temper, and there is no taint upon his robe. Weakness, incompleteness, imperfection, he had, for he was a mortal man of limited faculties, but spotless purity is not to be denied him-he uttered nothing base. Our readers will anticipate us in ranking with him, as the representative poets of their age, Byron, Scott, and Shelley. Of each of these we would say a few words, especially in this representative character.

Lord Byron's poems are the actual life-experience of a man whose birth and fortune enabled him to mix with the highest society, and whose character led him to select for his choice that portion of it which pursued pleasure as the main, if not the sole object of existence. Under a thin disguise of name, country, and outward incident, they present us with the desires which actuated, the passions which agitated, and the characters which were the ideals of the fashionable men and women of the earlier

part of this century. Limited and monotonous as they are in their essential nature, ringing perpetual changes upon one passion and one phase of passion, the brilliance of their diction, the voluptuous melody of their verse, the picturesque beauty of their scenery, well enough represent that life of the richer classes, which chases with outstretched arms all the Protean forms of pleasure, only to find the subtle essence escape as soon as grasped, leaving behind in its place weariness, disappointment, and joyless stagnation. The loftiest joys they paint are the thrillings of the sense, the raptures of a fine nervous organization; their pathos is the regret, and their wisdom the languor and the satiety of the jaded voluptuary. These form the staple, the woof of Lord Byron's poetry, and with it is enwoven all that which gives outward variety and incessant stimulating novelty to the pursuits of an Englishman of fashion. These pursuits are as numerous, as absorbing, and demand as much activity of a kind as those of the student or the man of business. Among them will be found those upon which the student and the man of business are employed, though in a different spirit, and with a different aim. Thus we frequently see among the votaries of pleasure men who are fond of literature, of art, of politics, of foreign travel,

of all manly and active enterprise; but all these will be pursued, not as duties to be done, in an earnest, hopeful, self-sacrificing spirit, 'that scorns delights and lives laborious days,' but for amusement, for immediate pleasure to be reaped, as a resource against ennui and vacuity, to which none but the weakest and most effeminate nature will succumb. This difference of object and of motive necessitates a difference in the value of the results. The soil, which is ploughed superficially, and for a quick return, will bear but frail and fading flowers; the planter of oaks must toil in faith and patience and sublime confidence in the future. And so, into whatever field the wide and restless energies of men like Lord Byron carry them, they bring home no treasures that will endure-no marble of which world-lasting statue or palace may be hewn or built -no iron, of which world-subduing machines may be wrought. Poems, pictures, history, science, the magnificence and loveliness of Nature, cities of old renown, adventures of desperate excitement, new manners, languages, and characters, supply them with an ever fresh flow of sensation and emotion, keep the senses and the faculties cognate with sense in a pleasant activity, but no well-based generalization is gained for the understanding; facts are

not even carefully observed and honestly studied; pleasant sensation was the object, and that once obtained, there is no more worth in that which produced it, though in it may lie a law of God's manifestation, one of those spiritual facts to know and obey which would seem the chief purpose of man's existence, to discover and make them known, the noblest glory and highest function of genius. It is in this spirit that Lord Byron has questioned Life: 'Oh! where can pleasure be found?' and Life, echo-like, would only answer, 'Where!' It is because he put that question more earnestly, lived up to its spirit more fearlessly, and more faithfully and experimentally reported the answer, that he is so eminently a representative poet-a representative of what a large and important class in every country actually is, of what a far larger class aspires to be. It is in his fearless attempt at solving the problem of life in his own way, his complete discomfiture, and his unshrinking exhibition of that discomfiture, that the absolute and permanent value of his social teaching consists. For he was endowed with such gifts of nature and of fortune, so highly placed, so made to attract and fascinate, adorned with such beauty and grace, with such splendour of talents, with such quick susceptibility to impressions, with such healthy

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