Sinographies: Writing ChinaEric Hayot, Haun Saussy, Steven G. Yao U of Minnesota Press - 381 pages The essays in this thought-provoking volume investigate ideas of China and Chineseness by means of a broad range of texts, languages, and contexts that surround what the editors call the “various written Chinas” through history. Analyzing discourse of civilization, geography, ethics, ethnicity, writing, and differences about China—from within the country and from outside—this work deliberately disrupts the boundaries that have previously defined China as an object of study. Sinographies depends on a respect for the power of texts to shape realities both backward and forward, to create or foreclose possibilities not only of interpretation but of experience. To this end, the essays examine topics as various as colonialism, literary modernism, translation, anime, and Tibet. As a whole, the volume imagines sinography as a new methodological approach to the study of China, one that clears unexpected ground for new kinds of comparative work. Contributors: Timothy Billings, Middlebury College; Christopher Bush, Princeton U; Rey Chow, Brown U; Danielle Glassmeyer, U of Alabama, Birmingham; Timothy Kendall; Walter S. H. Lim, National U of Singapore; Lucien Miller, U of Massachusetts; David Porter, U of Michigan; Carlos Rojas, U of Florida; Steven J. Venturino, Loyola U; Henk Vynckier, Tunghai U, Taiwan. Eric Hayot is associate professor of comparative literature at the Pennsylvania State University. Haun Saussy is Bird White Housum Professor of comparative literature at Yale University. Steven G. Yao is associate professor of English at Hamilton College. |
From inside the book
Results 1-5 of 33
Page 10
... novels written throughout the 1990s by David Wingrove. The first of these, Chung Kuo: The Middle Kingdom (1990) established the basic imaginative and narra- tive framework for the entire series: set in 2190, the books envision an Earth ...
... novels written throughout the 1990s by David Wingrove. The first of these, Chung Kuo: The Middle Kingdom (1990) established the basic imaginative and narra- tive framework for the entire series: set in 2190, the books envision an Earth ...
Page 11
... - ers with an explanation for that choice within the novel's frame, Wing- rove's unambiguously authorial gesture marks his future China as shaped not simply by SF realism ( “ this might happen chINEsENEss: A pREhIsToRY oF ITs FUTURE [ 11 ]
... - ers with an explanation for that choice within the novel's frame, Wing- rove's unambiguously authorial gesture marks his future China as shaped not simply by SF realism ( “ this might happen chINEsENEss: A pREhIsToRY oF ITs FUTURE [ 11 ]
Page 13
... Novel of the Coming War with China, by Humphrey Hawksley and Simon Holberton (1997), and Tom Clancy's The Bear and the Dragon (2000).25 These texts have enough in common with Selling Out America to not be worth going on about at length ...
... Novel of the Coming War with China, by Humphrey Hawksley and Simon Holberton (1997), and Tom Clancy's The Bear and the Dragon (2000).25 These texts have enough in common with Selling Out America to not be worth going on about at length ...
Page 15
... novel , Crusoe's accidental firing of an “ earthenware pot ” while stranded on an island leads to his “ invention ” of a material very much like porcelain — in a historical moment when the West , and Dafoe himself in particular , was ...
... novel , Crusoe's accidental firing of an “ earthenware pot ” while stranded on an island leads to his “ invention ” of a material very much like porcelain — in a historical moment when the West , and Dafoe himself in particular , was ...
Page 16
... novels, three short stories, and one novelette featuring the dastardly Chinese villain, Fu Manchu. Sheng-mei Ma writes: “Fu Man- chu was most significant as a literary figure in that he provided a hereto- fore missing ruler image for ...
... novels, three short stories, and one novelette featuring the dastardly Chinese villain, Fu Manchu. Sheng-mei Ma writes: “Fu Man- chu was most significant as a literary figure in that he provided a hereto- fore missing ruler image for ...
Contents
PART TWO EarlyModern Cultural Production | 87 |
PART THREE Testimony Reportage Meddling | 159 |
PART FOUR Minority Discourses and Immigration | 245 |
PART FIVE Mediated Externalities | 331 |
Contributors | 379 |
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Common terms and phrases
aesthetic allegory Angel Island argues Asia Asian American body Borg captivity captivity narrative century characters China Chinese poetry Christian claims Claudel colonial communist contemporary context critical critique discourse Dooley Dooley’s early modern East Empire English essay ethnic example experience fiction figure foreign Formosa garden global Guanyin Haun Saussy Ibid identity ideograph imagination Immigration imperial India inscription Island poems James Jesuits Journey Kircher language literary literature Lukács Mackay Mackay’s material meaning metaphor metonymic Milton Ming Ming Dynasty missionary modernist museum narration narrative nese Nestorian Nestorian stele novel Oriental original Paradise Lost Paul Claudel poetic political readers reading relation representation Saussy Segalen sense Signifying simply space specifically stele Stèles story suggests Taiwan theory things Tibet Tibetan tion traditional trans transformation translation United University Press untranslation Victor Segalen visual West Western words writing Xu Bing York Zhenbao