Oeuvres complètes de M. le vicomte de Chateaubriand: Oeuvres littéraires: Essai sur la littérature angloise. Le paradis perdu. Mélanges littéraires. Poésies
Firmin Didot, 1843
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Adam amour anglois avant avoit beau belle cause change chant charme chercher choses ciel commence côté cour dernier devant Dieu dire divine doit donne earth élevé enfants esprit étoient étoit femme fille fils first fleurs fond force forme françois fruit génie gloire goût Grèce haut Heaven heureux high hommes humaine j'ai jeune jour jugement jusqu'à l'auteur l'autre l'homme laissé langue lettres liberté lieu livre loin long Louis lumière main maintenant malheur ment mère milieu Milton monde montagne mort NADAB nature nouvelle nuit ouvrages paradis parle paroles passé peine pensées perdu père peuple peut-être place poëte porte premier présent puisse pure qu'un race raison regards reste rien s'il saint Satan scène second sent sera serpent seul Shakespeare siècle soleil sort souvent terre tête their they thou tombe tour trouve vérité voix yeux
Page 324 - So saying, her rash hand in evil hour, Forth reaching to the fruit, she plucked, she eat: Earth felt the wound, and Nature from her seat Sighing through all her works gave signs of woe, That all was lost.
Page 182 - With lust and violence the house of God? In courts and palaces he also reigns, And in luxurious cities, where the noise Of riot ascends above their loftiest towers, And injury and outrage; and when night Darkens the streets, then wander forth the sons Of Belial, flown with insolence and wine.
Page 177 - Almighty hath not built Here for his envy, will not drive us hence : -° Here we may reign secure, and, in my choice, To reign is worth ambition, though in hell; Better to reign in hell, than serve in heaven.
Page 249 - Rising or falling still advance his praise. His praise, ye Winds, that from four quarters blow, Breathe soft or loud ; and, wave your tops, ye Pines, With every plant, in sign of worship wave.
Page 171 - Spanish poets of prime note have rejected rime both in longer and shorter works, as have also long since our best English tragedies, as a thing of itself, to all judicious ears, trivial and of no true musical delight ; which consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another...
Page 176 - Had risen or heaved his head, but that the will And high permission of all-ruling Heaven Left him at large to his own dark designs, That with reiterated crimes he might Heap on himself damnation, while he sought Evil to others...
Page 255 - To vital spirits aspire, to animal, To intellectual; give both life and sense, Fancy and understanding; whence the soul Reason receives, and reason is her being, Discursive, or intuitive ; discourse Is oftest yours, the latter most is ours, Differing but in degree, of kind the same.
Page 186 - Anon out of the earth a fabric huge Rose, like an exhalation, with the sound Of dulcet symphonies and voices sweet, Built like a temple, where pilasters round Were set, and Doric pillars overlaid With golden architrave ; nor did there want Cornice or frieze with bossy sculptures graven ; The roof was fretted gold.
Page 191 - Belike through impotence or unaware, To give his enemies their wish, and end Them in his anger, whom his anger saves To punish endless? Wherefore cease we then?
Page 176 - Created hugest that swim the ocean stream : Him haply slumbering on the Norway foam, The pilot of some small night-founder'd skiff Deeming some island, oft, as seamen tell, With fixed anchor in his scaly rind Moors by his side under the lee, while night Invests the sea, and wished morn delays...