Tragic Instance: The Sequence of Shakespeare's TragediesUniversity of Delaware Press, 1999 - 228 pages "Tragic Instance follows Shakespeare's progress through his tragedies. The book accepts Kenneth Muir's prescription, "There is no such thing as Shakespearian Tragedy: there are only Shakespearian tragedies." Accordingly, each of the tragedies, from Titus Andronicus to Coriolanus, is studied in order of composition. Richard III and Richard II are included because each is described as "tragedy" on the title page. No larger unity is seen. The play is everything that is the case."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
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Page 82
... says Cassius ( 1.2.112 ) . " My an- cestors did from the streets of Rome / The Tarquin drive , when he was called a king " says Brutus ( 2.1.43-44 ) . The highest praise that Caius Ligarius can bestow on Brutus , " Soul of Rome ! Brave ...
... says Cassius ( 1.2.112 ) . " My an- cestors did from the streets of Rome / The Tarquin drive , when he was called a king " says Brutus ( 2.1.43-44 ) . The highest praise that Caius Ligarius can bestow on Brutus , " Soul of Rome ! Brave ...
Page 169
... says Marx , is " the alienated ability of man- kind . That which I am unable to do as a man , and of which there- fore all my essential individual powers are incapable , I am able to do by means of money . " And a good thing too , many ...
... says Marx , is " the alienated ability of man- kind . That which I am unable to do as a man , and of which there- fore all my essential individual powers are incapable , I am able to do by means of money . " And a good thing too , many ...
Page 174
... says , " As nearly as I may , / I'll play the penitent to you " ( 2.2.97-98 ) he merely means that he will make some public gesture , one consonant with his rank and au- thority . ( Antony has taken " Never apologize " to heart . ) When ...
... says , " As nearly as I may , / I'll play the penitent to you " ( 2.2.97-98 ) he merely means that he will make some public gesture , one consonant with his rank and au- thority . ( Antony has taken " Never apologize " to heart . ) When ...
Contents
Nationhood and Identity | 9 |
Timon of Athens | 164 |
RolePlayer Actress Actor | 172 |
Copyright | |
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action actor Albany Antony and Cleopatra Antony's appears audience Aufidius Bolingbroke Bradley Brutus Buckingham Cambridge Cassio Chiron Claudius comedy comes Cominius Cordelia Coriolanus Coriolanus's Dane Danish death Denmark dialogue drama Elizabethan England father final Fortinbras France gentleman Hamlet hath Henry hint Horatio Iago identity Julius Caesar killing King Lear Lady Macbeth Laertes later Lavinia Lear's London lord Marcus meaning Menenius ment Mercutio metaphor Methuen mind mode mother needs Octavius opening Othello passage patriarchy patricians Peter Brook play's plebeians Poland political Polonius Prince Queen quell question rhyme Richard Richard III ritual role Rome Romeo and Juliet Rosencrantz and Guildenstern Saturninus says scene sense sexual Shake Shakespeare Shakespearean Tragedy social society soliloquy sonnet speak speech stage direction suggest symbolic thee thou thought Timon of Athens tion Titus Andronicus tragic triumph University Press Volumnia Wittenberg word