Tragic Instance: The Sequence of Shakespeare's TragediesUniversity of Delaware Press, 1999 - 228 pages "Tragic Instance follows Shakespeare's progress through his tragedies. The book accepts Kenneth Muir's prescription, "There is no such thing as Shakespearian Tragedy: there are only Shakespearian tragedies." Accordingly, each of the tragedies, from Titus Andronicus to Coriolanus, is studied in order of composition. Richard III and Richard II are included because each is described as "tragedy" on the title page. No larger unity is seen. The play is everything that is the case."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
From inside the book
Results 1-3 of 11
Page 21
... response is the final conscious act of his life : But I do prophesy th'election lights On Fortinbras . He has my dying voice . So tell him , with th'occurrents more and less Which have solicited - the rest is silence . ( 357-60 ) The ...
... response is the final conscious act of his life : But I do prophesy th'election lights On Fortinbras . He has my dying voice . So tell him , with th'occurrents more and less Which have solicited - the rest is silence . ( 357-60 ) The ...
Page 61
... response , and the language remains an un- derlying cause of unease , a faint yet unmistakable stimulus to our responses . Every critic notes that ( in Clemen's words ) " the first scenes of Romeo and Juliet strike us as more ...
... response , and the language remains an un- derlying cause of unease , a faint yet unmistakable stimulus to our responses . Every critic notes that ( in Clemen's words ) " the first scenes of Romeo and Juliet strike us as more ...
Page 89
... response , which comes first ? As I read the scene , history is reduced to choreography . Each actor is cast for a role in which he is compelled to play out an epic drama of Roman history , a myth of the City : the dictator - king is ...
... response , which comes first ? As I read the scene , history is reduced to choreography . Each actor is cast for a role in which he is compelled to play out an epic drama of Roman history , a myth of the City : the dictator - king is ...
Contents
Nationhood and Identity | 9 |
Timon of Athens | 164 |
RolePlayer Actress Actor | 172 |
Copyright | |
3 other sections not shown
Other editions - View all
Common terms and phrases
action actor Albany Antony and Cleopatra Antony's appears audience Aufidius Bolingbroke Bradley Brutus Buckingham Cambridge Cassio Chiron Claudius comedy comes Cominius Cordelia Coriolanus Coriolanus's Dane Danish death Denmark dialogue drama Elizabethan England father final Fortinbras France gentleman Hamlet hath Henry hint Horatio Iago identity Julius Caesar killing King Lear Lady Macbeth Laertes later Lavinia Lear's London lord Marcus meaning Menenius ment Mercutio metaphor Methuen mind mode mother needs Octavius opening Othello passage patriarchy patricians Peter Brook play's plebeians Poland political Polonius Prince Queen quell question rhyme Richard Richard III ritual role Rome Romeo and Juliet Rosencrantz and Guildenstern Saturninus says scene sense sexual Shake Shakespeare Shakespearean Tragedy social society soliloquy sonnet speak speech stage direction suggest symbolic thee thou thought Timon of Athens tion Titus Andronicus tragic triumph University Press Volumnia Wittenberg word