Tragic Instance: The Sequence of Shakespeare's TragediesUniversity of Delaware Press, 1999 - 228 pages "Tragic Instance follows Shakespeare's progress through his tragedies. The book accepts Kenneth Muir's prescription, "There is no such thing as Shakespearian Tragedy: there are only Shakespearian tragedies." Accordingly, each of the tragedies, from Titus Andronicus to Coriolanus, is studied in order of composition. Richard III and Richard II are included because each is described as "tragedy" on the title page. No larger unity is seen. The play is everything that is the case."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
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Page 97
... passage in support of its fourth sense . ( It cites other contemporary passages in support . ) But we have to conduct this exercise to jettison a use- less , and in my view erroneous meaning that has established itself over the years ...
... passage in support of its fourth sense . ( It cites other contemporary passages in support . ) But we have to conduct this exercise to jettison a use- less , and in my view erroneous meaning that has established itself over the years ...
Page 134
... passage has a bafflingly pellucid opacity , typically Shakespearian , but the hint is there , to be brought out in produc- tion if required ( otherwise , the passage calls for no comment , as a simple piece of military routine ) ...
... passage has a bafflingly pellucid opacity , typically Shakespearian , but the hint is there , to be brought out in produc- tion if required ( otherwise , the passage calls for no comment , as a simple piece of military routine ) ...
Page 175
... passage , Cleopatra's encounter with Octavius . Cleopatra does seem to have a gift for rapid switching of alliances , does she not ? The great aria on Cleopatra that Endobarbus delivers ( 2.2.200- 50 ) moves through five tonal shifts ...
... passage , Cleopatra's encounter with Octavius . Cleopatra does seem to have a gift for rapid switching of alliances , does she not ? The great aria on Cleopatra that Endobarbus delivers ( 2.2.200- 50 ) moves through five tonal shifts ...
Contents
Nationhood and Identity | 9 |
Timon of Athens | 164 |
RolePlayer Actress Actor | 172 |
Copyright | |
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action actor Albany Antony and Cleopatra Antony's appears audience Aufidius Bolingbroke Bradley Brutus Buckingham Cambridge Cassio Chiron Claudius comedy comes Cominius Cordelia Coriolanus Coriolanus's Dane Danish death Denmark dialogue drama Elizabethan England father final Fortinbras France gentleman Hamlet hath Henry hint Horatio Iago identity Julius Caesar killing King Lear Lady Macbeth Laertes later Lavinia Lear's London lord Marcus meaning Menenius ment Mercutio metaphor Methuen mind mode mother needs Octavius opening Othello passage patriarchy patricians Peter Brook play's plebeians Poland political Polonius Prince Queen quell question rhyme Richard Richard III ritual role Rome Romeo and Juliet Rosencrantz and Guildenstern Saturninus says scene sense sexual Shake Shakespeare Shakespearean Tragedy social society soliloquy sonnet speak speech stage direction suggest symbolic thee thou thought Timon of Athens tion Titus Andronicus tragic triumph University Press Volumnia Wittenberg word