Tragic Instance: The Sequence of Shakespeare's TragediesUniversity of Delaware Press, 1999 - 228 pages "Tragic Instance follows Shakespeare's progress through his tragedies. The book accepts Kenneth Muir's prescription, "There is no such thing as Shakespearian Tragedy: there are only Shakespearian tragedies." Accordingly, each of the tragedies, from Titus Andronicus to Coriolanus, is studied in order of composition. Richard III and Richard II are included because each is described as "tragedy" on the title page. No larger unity is seen. The play is everything that is the case."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
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Page 66
... nature , for this drivelling love is like a great natural that runs lolling up and down to hide his bauble in a hole . ( 2.4.87-91 ) The pun on " art " directs us , via the art - nature opposition , to the issues of identity and role ...
... nature , for this drivelling love is like a great natural that runs lolling up and down to hide his bauble in a hole . ( 2.4.87-91 ) The pun on " art " directs us , via the art - nature opposition , to the issues of identity and role ...
Page 95
... nature in them , As in their birth - wherein they are not guilty , Since nature cannot choose his origin— A man is guiltless of his genetic heritage ; but note the conclusion Shall in the general censure take corruption From that ...
... nature in them , As in their birth - wherein they are not guilty , Since nature cannot choose his origin— A man is guiltless of his genetic heritage ; but note the conclusion Shall in the general censure take corruption From that ...
Page 190
... nature . Had he been the man of certainty and solidity he appears to the world , he could well have accepted Vo- lumnia's advice : " perform a part / Thou hast not done before " ( 3.2.11-12 ) No discredit attaches to actors who act ...
... nature . Had he been the man of certainty and solidity he appears to the world , he could well have accepted Vo- lumnia's advice : " perform a part / Thou hast not done before " ( 3.2.11-12 ) No discredit attaches to actors who act ...
Contents
Nationhood and Identity | 9 |
Timon of Athens | 164 |
RolePlayer Actress Actor | 172 |
Copyright | |
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action actor Albany Antony and Cleopatra Antony's appears audience Aufidius Bolingbroke Bradley Brutus Buckingham Cambridge Cassio Chiron Claudius comedy comes Cominius Cordelia Coriolanus Coriolanus's Dane Danish death Denmark dialogue drama Elizabethan England father final Fortinbras France gentleman Hamlet hath Henry hint Horatio Iago identity Julius Caesar killing King Lear Lady Macbeth Laertes later Lavinia Lear's London lord Marcus meaning Menenius ment Mercutio metaphor Methuen mind mode mother needs Octavius opening Othello passage patriarchy patricians Peter Brook play's plebeians Poland political Polonius Prince Queen quell question rhyme Richard Richard III ritual role Rome Romeo and Juliet Rosencrantz and Guildenstern Saturninus says scene sense sexual Shake Shakespeare Shakespearean Tragedy social society soliloquy sonnet speak speech stage direction suggest symbolic thee thou thought Timon of Athens tion Titus Andronicus tragic triumph University Press Volumnia Wittenberg word