Tragic Instance: The Sequence of Shakespeare's TragediesUniversity of Delaware Press, 1999 - 228 pages "Tragic Instance follows Shakespeare's progress through his tragedies. The book accepts Kenneth Muir's prescription, "There is no such thing as Shakespearian Tragedy: there are only Shakespearian tragedies." Accordingly, each of the tragedies, from Titus Andronicus to Coriolanus, is studied in order of composition. Richard III and Richard II are included because each is described as "tragedy" on the title page. No larger unity is seen. The play is everything that is the case."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
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Page 121
... appears in this play . But it is possible that Shakespeare thought of Poland as an analogue to the Danish ( elective ) system . Poland's po- sition in Hamlet is uniformly adversarial . The late King Hamlet confronted the Poles , as he ...
... appears in this play . But it is possible that Shakespeare thought of Poland as an analogue to the Danish ( elective ) system . Poland's po- sition in Hamlet is uniformly adversarial . The late King Hamlet confronted the Poles , as he ...
Page 175
... appears include comedy and tragedy . At every stage we see an ac- tress throwing herself into the part with enormous virtuoso skill , yet increasingly aware of a grander question : how will this affect my career ? Cleopatra's entrance ...
... appears include comedy and tragedy . At every stage we see an ac- tress throwing herself into the part with enormous virtuoso skill , yet increasingly aware of a grander question : how will this affect my career ? Cleopatra's entrance ...
Page 224
... appears more proper to Coriolanus than any other play in the canon . The relationship of mother to son is not a mere technical recess , but a zone of the play's imaginative hinterland that we are surely invited to reflect upon . At all ...
... appears more proper to Coriolanus than any other play in the canon . The relationship of mother to son is not a mere technical recess , but a zone of the play's imaginative hinterland that we are surely invited to reflect upon . At all ...
Contents
Nationhood and Identity | 9 |
Timon of Athens | 164 |
RolePlayer Actress Actor | 172 |
Copyright | |
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action actor Albany Antony and Cleopatra Antony's appears audience Aufidius Bolingbroke Bradley Brutus Buckingham Cambridge Cassio Chiron Claudius comedy comes Cominius Cordelia Coriolanus Coriolanus's Dane Danish death Denmark dialogue drama Elizabethan England father final Fortinbras France gentleman Hamlet hath Henry hint Horatio Iago identity Julius Caesar killing King Lear Lady Macbeth Laertes later Lavinia Lear's London lord Marcus meaning Menenius ment Mercutio metaphor Methuen mind mode mother needs Octavius opening Othello passage patriarchy patricians Peter Brook play's plebeians Poland political Polonius Prince Queen quell question rhyme Richard Richard III ritual role Rome Romeo and Juliet Rosencrantz and Guildenstern Saturninus says scene sense sexual Shake Shakespeare Shakespearean Tragedy social society soliloquy sonnet speak speech stage direction suggest symbolic thee thou thought Timon of Athens tion Titus Andronicus tragic triumph University Press Volumnia Wittenberg word