THE WORKS OF WILLIAM SHAKESPEARE VOL. XI |
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RICHARD GRANT WHITE. SHAKESPEARE'S WORKS. [W HITE. I IN TWELVE
VOLUMES. Volu ME XI T R A G E D I E S. HAMLET. R IN G L E A R. OTHELLO.
WILLIAM SHAKESPEARE THE PLAYS EDITED FROM THE FOLIO OF MDCXXIII,
RICHARD GRANT WHITE. SHAKESPEARE'S WORKS. [W HITE. I IN TWELVE
VOLUMES. Volu ME XI T R A G E D I E S. HAMLET. R IN G L E A R. OTHELLO.
WILLIAM SHAKESPEARE THE PLAYS EDITED FROM THE FOLIO OF MDCXXIII,
Page 176
See the Introduction to Othello for a figure of an Italian Courtesan mounted on
cioppini : for Raymond is in error as to a distinction having been made by this
singular article of dress. 6 & crack'd within the ring : The thin coins of past ...
See the Introduction to Othello for a figure of an Italian Courtesan mounted on
cioppini : for Raymond is in error as to a distinction having been made by this
singular article of dress. 6 & crack'd within the ring : The thin coins of past ...
Page 354
... I knew that Pope had promulgated that reading, or that in old manuscript and
Óld typography tand r are so much alike that it is sometimes difficult to distinguish
them. I am almost sure that Shakespeare wrote 'rough world. . . O T H E L L O .
... I knew that Pope had promulgated that reading, or that in old manuscript and
Óld typography tand r are so much alike that it is sometimes difficult to distinguish
them. I am almost sure that Shakespeare wrote 'rough world. . . O T H E L L O .
Page 356
THE Tragoedy of Othello, The Moore of Venice. As it hath beene diverse times
acted at the Globe, and at the BlackFriers, by his Maiesties Seruants. Written by
William Shakespeare. LONDON, Printed by N. O. for Thomas Walkley, and are to
...
THE Tragoedy of Othello, The Moore of Venice. As it hath beene diverse times
acted at the Globe, and at the BlackFriers, by his Maiesties Seruants. Written by
William Shakespeare. LONDON, Printed by N. O. for Thomas Walkley, and are to
...
Page 357
IOWAN BATTISTA GTRALDI CINTHIO, an Italian novelist, who flourished in the
middle of the sixteenth century, is the first writer in whose works we find the story
of Othello. Whether he invented it, we cannot tell; but probably he did. The first ...
IOWAN BATTISTA GTRALDI CINTHIO, an Italian novelist, who flourished in the
middle of the sixteenth century, is the first writer in whose works we find the story
of Othello. Whether he invented it, we cannot tell; but probably he did. The first ...
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Common terms and phrases
appears Attendants bear believe better blood bring Cassio cause comes copies daughter dead dear death Desdemona doth Duke Emil Enter eyes fair fall father fear folio follow Fool fortune give Gloster Hamlet hand hast hath head hear heart Heaven hold honest Horatio Iago keep Kent kind King lady Laer Lear leave light live look lord madam matter means mind misprint Moor mother nature never night noble Note omits Othello passage play poor pray printed Queen reading reason Rent SCENE seems seen sense Shakespeare shew soul speak speech stand sure sweet tell thee thing thou thought tongue true villain wife
Popular passages
Page 83 - With a bare bodkin ? who would fardels bear, To grunt and sweat under a weary life ; But that the dread of something after death, The undiscovered country, from whose bourn No traveller returns, puzzles the will ; And makes us rather bear those ills we have, Than fly to others that we know not of ? Thus conscience does make cowards of us all...
Page 152 - tis not to come ; if it be not to come, it will be now ; if it be not now, yet it will come : the readiness is all.
Page 78 - O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit ? And all for nothing...
Page 86 - O ! it offends me to the soul, to hear a robustious periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings...
Page 87 - And let those, that play your clowns, speak no more than is set down for them : for there be of them, that will themselves laugh, to set on some quantity of barren spectators to laugh too ; though, in the mean time, some necessary question}: of the play be then to be considered : that's villainous ; and shows a most pitiful ambition in the fool that uses it.
Page 428 - Good name in man and woman, dear my lord, Is the immediate jewel of their souls : Who steals my purse steals trash ; 'tis something, nothing ; 'Twas mine, 'tis his, and has been slave to thousands ; But he that filches from me my good name Robs me of that which not enriches him And makes me poor indeed.
Page 109 - Assume a virtue, if you have it not. That monster, custom, who all sense doth eat, Of habits devil, is angel yet in this, That to the use of actions fair and good He likewise gives a frock or livery, That aptly is put on.
Page 49 - I could a tale unfold, whose lightest word Would harrow up thy soul ; freeze thy young blood ; Make thy two eyes, like stars, start from their spheres ; Thy knotted and combined locks to part, And each particular hair to stand on end, Like quills upon the fretful porcupine...
Page 34 - Seems, madam ! nay, it is ; I know not 'seems.' 'Tis not alone my inky cloak, good mother, Nor customary suits of solemn black, Nor windy suspiration of forc'd breath, No, nor the fruitful river in the eye, Nor the dejected haviour of the visage, Together with all forms...
Page 270 - Poor naked wretches, wheresoe'er you are, That bide the pelting of this pitiless storm, How shall your houseless heads and unfed sides, Your loop'd and window'd raggedness, defend you From seasons such as these? O! I have ta'en Too little care of this. Take physic, pomp; Expose thyself to feel what wretches feel, That thou may'st shake the superflux to them, And show the heavens more just.