THE WORKS OF WILLIAM SHAKESPEARE VOL. XI |
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Page 359
... it his four principal characters, Othello, Desdemona, Cassio, and Iago, and two
of less importance — INTIR, OD UCTION. 359.
... it his four principal characters, Othello, Desdemona, Cassio, and Iago, and two
of less importance — INTIR, OD UCTION. 359.
Page 360
Desdemona, Cassio, and Iago, and two of less importance — the lieutenant's
mistress and the ensign's wife. In the tale, none of these personages, except the
ensign, have any noticeable traits of character. We are told, indeed, that the Moor
is ...
Desdemona, Cassio, and Iago, and two of less importance — the lieutenant's
mistress and the ensign's wife. In the tale, none of these personages, except the
ensign, have any noticeable traits of character. We are told, indeed, that the Moor
is ...
Page 361
But it is interesting to note the great change made in the catastrophe, and also
the fact that the spontaneous and fiendish malignity of Iago's character, about
which there has been so much discussion, is clearly exhibited in the original story
.
But it is interesting to note the great change made in the catastrophe, and also
the fact that the spontaneous and fiendish malignity of Iago's character, about
which there has been so much discussion, is clearly exhibited in the original story
.
Page 363
... Shakespeare afterwards entirely re-wrote, taking the names of Othello and
Iago from the History of the Prince of Denmark, published in 1605, as above
mentioned. This supposition is so much in accordance with Shakespeare's
practice, and ...
... Shakespeare afterwards entirely re-wrote, taking the names of Othello and
Iago from the History of the Prince of Denmark, published in 1605, as above
mentioned. This supposition is so much in accordance with Shakespeare's
practice, and ...
Page 370
IAGo, his Ancient. - RoDERIGo, a Venetian Gentleman. MonTANo, Governor of
Cyprus. Clown, Servant to Othello. Herald. DESDEMONA, Daughter to Brabantio,
and Wife to Othello. EMILIA, Wife to Iago. BIANCA, Mistress to Cassio. Officers ...
IAGo, his Ancient. - RoDERIGo, a Venetian Gentleman. MonTANo, Governor of
Cyprus. Clown, Servant to Othello. Herald. DESDEMONA, Daughter to Brabantio,
and Wife to Othello. EMILIA, Wife to Iago. BIANCA, Mistress to Cassio. Officers ...
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Common terms and phrases
appears Attendants bear believe better blood bring Cassio cause comes copies daughter dead dear death Desdemona doth Duke Emil Enter eyes fair fall father fear folio follow Fool fortune give Gloster Hamlet hand hast hath head hear heart Heaven hold honest Horatio Iago keep Kent kind King lady Laer Lear leave light live look lord madam matter means mind misprint Moor mother nature never night noble Note omits Othello passage play poor pray printed Queen reading reason Rent SCENE seems seen sense Shakespeare shew soul speak speech stand sure sweet tell thee thing thou thought tongue true villain wife
Popular passages
Page 83 - With a bare bodkin ? who would fardels bear, To grunt and sweat under a weary life ; But that the dread of something after death, — The undiscovered country, from whose bourn No traveller returns, — puzzles the will ; And makes us rather bear those ills we have, Than fly to others that we know not of ? Thus conscience does make cowards of us all...
Page 152 - tis not to come ; if it be not to come, it will be now ; if it be not now, yet it will come : the readiness is all.
Page 78 - O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit ? And all for nothing...
Page 86 - O ! it offends me to the soul, to hear a robustious periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings...
Page 87 - And let those, that play your clowns, speak no more than is set down for them : for there be of them, that will themselves laugh, to set on some quantity of barren spectators to laugh too ; though, in the mean time, some necessary question}: of the play be then to be considered : that's villainous ; and shows a most pitiful ambition in the fool that uses it.
Page 428 - Good name in man and woman, dear my lord, Is the immediate jewel of their souls : Who steals my purse steals trash ; 'tis something, nothing ; 'Twas mine, 'tis his, and has been slave to thousands ; But he that filches from me my good name Robs me of that which not enriches him And makes me poor indeed.
Page 109 - Assume a virtue, if you have it not. That monster, custom, who all sense doth eat, Of habits devil, is angel yet in this, That to the use of actions fair and good He likewise gives a frock or livery, That aptly is put on.
Page 49 - I could a tale unfold, whose lightest word Would harrow up thy soul ; freeze thy young blood ; Make thy two eyes, like stars, start from their spheres ; Thy knotted and combined locks to part, And each particular hair to stand on end, Like quills upon the fretful porcupine...
Page 34 - Seems, madam ! nay, it is ; I know not 'seems.' 'Tis not alone my inky cloak, good mother, Nor customary suits of solemn black, Nor windy suspiration of forc'd breath, No, nor the fruitful river in the eye, Nor the dejected haviour of the visage, Together with all forms...
Page 270 - Poor naked wretches, wheresoe'er you are, That bide the pelting of this pitiless storm, How shall your houseless heads and unfed sides, Your loop'd and window'd raggedness, defend you From seasons such as these? O! I have ta'en Too little care of this. Take physic, pomp; Expose thyself to feel what wretches feel, That thou may'st shake the superflux to them, And show the heavens more just.
Bibliographic information
| Title | THE WORKS OF WILLIAM SHAKESPEARE VOL. XI |
| Author | RICHARD GRANT WHITE |
| Published | 1862 |
| Original from | the University of Michigan |
| Digitized | 23 Nov 2005 |
| Export Citation | BiBTeX EndNote RefMan |