The Works of Shakespeare, Volume 1Macmillan Company, 1904 |
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Page xv
... mark with perfect precision the real distinctiveness of this final group of plays . For romance enters in some sort into almost all the comedies ; even The Comedy of Errors and The Merry Wives are touched with it . When Shakespeare ...
... mark with perfect precision the real distinctiveness of this final group of plays . For romance enters in some sort into almost all the comedies ; even The Comedy of Errors and The Merry Wives are touched with it . When Shakespeare ...
Page 5
... marks . of early style ; happily , however , they have also , indirectly , given us a unique clue to them ; fragments of the original version having , in at least three cases , remained embedded in the ' corrected ' text . Two of these ...
... marks . of early style ; happily , however , they have also , indirectly , given us a unique clue to them ; fragments of the original version having , in at least three cases , remained embedded in the ' corrected ' text . Two of these ...
Page 40
... mark of the judicious . ' Cf. 10 20 Induction to Every Man out of his Humour- a gallant of this mark , Who , to be thought one of the judicious , Sits with his arms thus wreath'd , his hat pull'd here . 19. thin - belly doublet ...
... mark of the judicious . ' Cf. 10 20 Induction to Every Man out of his Humour- a gallant of this mark , Who , to be thought one of the judicious , Sits with his arms thus wreath'd , his hat pull'd here . 19. thin - belly doublet ...
Page 53
... mark marvellous well shot , for they both did hit it . Boyet . A mark ! O , mark but that mark ! A mark , says my lady ! III . continent , complete embodiment . 110 120 130 ยท Let the mark have a prick in ' t 53 SC . I Love's Labour's Lost.
... mark marvellous well shot , for they both did hit it . Boyet . A mark ! O , mark but that mark ! A mark , says my lady ! III . continent , complete embodiment . 110 120 130 ยท Let the mark have a prick in ' t 53 SC . I Love's Labour's Lost.
Page 54
... mark in a target , supported by a wooden pin . [ Shout within . [ Exit Costard , running . 140 150 138. upshoot , the deciding shot . 139. greasily , uncleanly . 150. nit , particle ( playing on Moth's name - mote ) . SCENE II . The ...
... mark in a target , supported by a wooden pin . [ Shout within . [ Exit Costard , running . 140 150 138. upshoot , the deciding shot . 139. greasily , uncleanly . 150. nit , particle ( playing on Moth's name - mote ) . SCENE II . The ...
Common terms and phrases
Antipholus Armado Athens Biron Boyet CALIFORN chain comedy Comedy of Errors Cost Costard dear Demetrius dost thou doth dream Dromio Duke Dull Enter Ephesus Exeunt Exit eyes fair fairy false father favour fear fool forsworn gentle Gentlemen give gone grace hath hear heart heaven Helena hence Hermia Hippolyta Julia Kath King lady Launce letter lion Longaville look lord Love's Labour's Lost lovers Lysander madam Marry master merry mistress Monarcho moon Moth Navarre never night oath Oberon PHILOSTRATE play Pompey pray princess Proteus Puck Pyramus Quin Re-enter Rosaline SCENE Shakespeare Silvia Sir Proteus sleep speak Speed stay sweet Syracuse tears tell thee Theseus thine thing Thisby thou art thou hast Thurio Tita Titania tongue true unto Valentine villain wench wife word