The Cambridge Companion to Shakespeare on FilmRussell Jackson Cambridge University Press, 2000 M10 26 - 342 pages Film adaptations of Shakespeare's plays are increasingly popular and now figure prominently in the study of his work and its reception. This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. An international team of leading scholars discuss Shakespearean films from a variety of perspectives: as works of art in their own right; as products of the international movie industry; in terms of cinematic and theatrical genres; and as the work of particular directors from Laurence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. They also consider specific issues such as the portrayal of Shakespeare's women and the supernatural. The emphasis is on feature films for cinema, rather than television, with strong coverage of Hamlet, Richard III, Macbeth, King Lear and Romeo and Juliet. A guide to further reading and a useful filmography are also provided. |
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... eye of an artist and the mind of a poet'.3 When this was written Shakespeare was more firmly embedded in popular culture than he is some nine decades later . The plays ( or at least a few of them ) , heavily adapted to accommodate ...
... eye of an artist and the mind of a poet'.3 When this was written Shakespeare was more firmly embedded in popular culture than he is some nine decades later . The plays ( or at least a few of them ) , heavily adapted to accommodate ...
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... eye on the US market . The ' independent ' distributors in Hollywood , such as Miramax , invest mainly in rel- atively low - budget films , often made outside the USA . The movies are typified by their ' attention to theme , character ...
... eye on the US market . The ' independent ' distributors in Hollywood , such as Miramax , invest mainly in rel- atively low - budget films , often made outside the USA . The movies are typified by their ' attention to theme , character ...
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Contents
From playscript to screenplay | 15 |
Video and its paradoxes | 35 |
Critical junctures in Shakespeare screen history the case of Richard III | 47 |
Shakespeare and movie genre the case of Hamlet | 72 |
Genres and plays | 83 |
The comedies on film | 85 |
Filming Shakespeares history three films of Richard III | 99 |
Hamlet Macbeth and King Lear on film | 117 |
Grigori Kozintsevs Hamlet and King Lear | 199 |
Franco Zeffirelli and Shakespeare | 212 |
Flamboyant realist Kenneth Branagh | 222 |
Critical issues | 239 |
Looking at Shakespeares women on film | 241 |
National and racial stereotypes in Shakespeare films | 261 |
Shakespeare the illusionist filming the supernatural | 274 |
Shakespeares cinematic offshoots | 295 |
The tragedies of love on film | 135 |
Directors | 161 |
The Shakespeare films of Laurence Olivier | 163 |
Orson Welles and f1lmed Shakespeare | 183 |
314 | |
FILMOGRAPHY | 318 |
325 | |
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