The Works of Shakespeare ..., Volume 26Bobbs-Merrill Company, 1924 |
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Page viii
... clearly that the dramatists of the time had less to fear from dishonest publishers and printers than has been ... clear that the Chamberlain's men as a rule knew how to protect their own interests and knew , too , when to sell the ...
... clearly that the dramatists of the time had less to fear from dishonest publishers and printers than has been ... clear that the Chamberlain's men as a rule knew how to protect their own interests and knew , too , when to sell the ...
Page x
... clear indication of the prompter's hand , as Furness and several later editors have pointed out . What is not yet fully proved , though every reader is anxious to have his last doubt dispelled , is the supposition that the original copy ...
... clear indication of the prompter's hand , as Furness and several later editors have pointed out . What is not yet fully proved , though every reader is anxious to have his last doubt dispelled , is the supposition that the original copy ...
Page xiv
... clearly owes nothing . The German drama follows Belle - Forest's version , rather than Bandello's , as Furness points out , and differs from Much Ado About Nothing both in the management of the plot and in general style and 1 A ...
... clearly owes nothing . The German drama follows Belle - Forest's version , rather than Bandello's , as Furness points out , and differs from Much Ado About Nothing both in the management of the plot and in general style and 1 A ...
Page xvii
... clearly belongs to the same period ; it could not well be as- signed to a date much earlier than 1599. Moreover , the transitions from prose to verse , and from verse to prose , are so deftly managed that we notice them only as ...
... clearly belongs to the same period ; it could not well be as- signed to a date much earlier than 1599. Moreover , the transitions from prose to verse , and from verse to prose , are so deftly managed that we notice them only as ...
Page xix
... clear her name but to raise him in our regard . In this comparatively small matter of Margaret's complicity Shakespeare shows the same delicacy in the manipulation of his sources that he extends to the still less important question of ...
... clear her name but to raise him in our regard . In this comparatively small matter of Margaret's complicity Shakespeare shows the same delicacy in the manipulation of his sources that he extends to the still less important question of ...
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answer appear bear Beat Beatrice Bene Benedick better Book Bora Borachio brother called Capell Claud Claudio clear Collier comes Count cousin dance daughter death Dict Don John Don Pedro doth Dyce edition editors Enter Exeunt expression eyes faith fashion Folio followed Friar given gives hand Hanmer hath hear heart Henry Hero husband John kind King lady Leon Leonato look lord Margaret marry master meaning never night omitted original passage Pedro play Pope pray present prince probably quotes reading reason reference Rowe scene seems sense Shakes Shakespeare Signior song speak speech stage Steevens story suggests sure sweet tell thee Theobald thing thou thought tion tongue true turn Verg W. A. Wright Watch wear word
Popular passages
Page 75 - Of every hearer; for it so falls out That what we have we prize not to the worth Whiles we enjoy it, but being lack'd and lost, Why, then we rack the value, then we find The virtue that possession would not show us Whiles it was ours.
Page 67 - I have railed so long against marriage: But doth not the appetite alter? A man loves the meat in his youth, that he cannot endure in his age: Shall quips, and sentences, and these paper bullets of the brain, awe a man from the career of his humour? No: The world must be peopled. When I said, I would die a bachelor, I did not think I should live till I were married.— Here comes Beatrice : By this day, she's a fair lady : I do spy some marks of love in her.
Page 39 - Friendship is constant in all other things Save in the office and affairs of love : Therefore all hearts in love use their own tongues ; Let every eye negotiate for itself, And trust no agent : for beauty is a witch, Against whose charms faith melteth into blood.
Page 86 - Why then, take no note of him, but let him go ; and presently call the rest of the watch together, and thank God you are rid of a knave.