Shakespeare and the History of SoliloquiesProvides the first systematic and comprehensive account of the conventions governing soliloquies in Western drama from ancient times to the twentieth century. Over the course of theatrical history, there have been several kinds of soliloquies. Shakespeare's soliloquies are not only the most interesting and the most famous, but also the most misunderstood, and several chapters examine them in detail. The present study is based on a painstaking analysis of the actual practices of dramatists from each age of theatrical history. This investigation has uncovered evidence that refutes long-standing commonplaces about soliloquies in general, about Shakespeare's soliloquies in particular, and especially about the to be, or not to be episode. 'Shakespeare and the history of Soliloquies' casts new lights on historical changes in the artistic representation of human beings and, because representations cannot be entirely disentangled from perception, on historical changes in the ways human beings have perceived theselves. |
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
Acknowledgments | 9 |
Representation of Speech | 35 |
From Antiquity to the Middle of the Sixteenth | 62 |
Copyright | |
10 other sections not shown
Other editions - View all
Common terms and phrases
action actor actually adaptation apostrophe asides asks assumed attempt audience address become beginning behavior believe century chapter character character's Claudius clearly contain context conventions conventions governing course created demonstrates described direct drama dramatic dramatists earlier eavesdropping enemy engaged enters episode evidence example explain explicit explicitly expresses fact father feelings feigned soliloquy give governing soliloquies guarded Hamlet heard hearing human imagine indicates interior monologue kind King late later lines Macbeth matter means merely mind never occur onstage operation Ophelia outward overheard particular passage performed period person playgoers post-Renaissance practices presence question quies reason regard Renaissance representation represented Richard Romeo says scene self-addressed speech sense seventeenth century Shake Shakespeare's plays Shakespeare's theater situation solilo soliloquies represented soliloquy guarded speaker speaks spoken stage talking theater theatrical thinking thou thoughts tion voice