Tragic Instance: The Sequence of Shakespeare's TragediesUniversity of Delaware Press, 1999 - 228 pages "Tragic Instance follows Shakespeare's progress through his tragedies. The book accepts Kenneth Muir's prescription, "There is no such thing as Shakespearian Tragedy: there are only Shakespearian tragedies." Accordingly, each of the tragedies, from Titus Andronicus to Coriolanus, is studied in order of composition. Richard III and Richard II are included because each is described as "tragedy" on the title page. No larger unity is seen. The play is everything that is the case."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
From inside the book
Results 1-5 of 24
Page
... Romeo and Juliet is the sonnet , whose fragments , diffused over the play , reunite to form an image of the whole . And Coriolanus , so often viewed as terrain disputed by Freud and Marx , is approached via two separate essays , one ...
... Romeo and Juliet is the sonnet , whose fragments , diffused over the play , reunite to form an image of the whole . And Coriolanus , so often viewed as terrain disputed by Freud and Marx , is approached via two separate essays , one ...
Page 7
... Romeo and Juliet : The Sonnet World of Verona 61 4. The Tragedy of Richard II 73 5. Communal Identity and the Rituals of Julius Caesar 80 6. " To say ' one ' " : An Essay on Hamlet 92 7. Hamlet : Nationhood and Identity 106 8. Class as ...
... Romeo and Juliet : The Sonnet World of Verona 61 4. The Tragedy of Richard II 73 5. Communal Identity and the Rituals of Julius Caesar 80 6. " To say ' one ' " : An Essay on Hamlet 92 7. Hamlet : Nationhood and Identity 106 8. Class as ...
Page 9
... Romeo and Juliet : The Sonnet - World of Verona . " " Communal Identity and the Rituals of Julius Caesar " first appeared in Dalhousie Review ; " To say ' One ' : An Essay on Hamlet " in Shakespeare Survey 28 , and " Hamlet : Nationhood ...
... Romeo and Juliet : The Sonnet - World of Verona . " " Communal Identity and the Rituals of Julius Caesar " first appeared in Dalhousie Review ; " To say ' One ' : An Essay on Hamlet " in Shakespeare Survey 28 , and " Hamlet : Nationhood ...
Page 11
... Romeo and Juliet , and Julius Caesar seem to me tragedies of social deter- minism . Society is far stronger than the individuals to whom it dic- tates . Titus is the instrument of Rome , spokesman for patriarchal values that he can ...
... Romeo and Juliet , and Julius Caesar seem to me tragedies of social deter- minism . Society is far stronger than the individuals to whom it dic- tates . Titus is the instrument of Rome , spokesman for patriarchal values that he can ...
Page 13
... Romeo and Juliet . What is young Montague but a bourgeois to his fingertips , up against the determination of Capulet to marry off his daughter into the peer- age ? To me , the idea of greatness comes down to " dramatic exag- geration ...
... Romeo and Juliet . What is young Montague but a bourgeois to his fingertips , up against the determination of Capulet to marry off his daughter into the peer- age ? To me , the idea of greatness comes down to " dramatic exag- geration ...
Contents
29 | |
42 | |
Romeo and Juliet The Sonnet World of Verona | 61 |
The Tragedy of Richard II | 73 |
Communal Identity and the Rituals of Julius Caesar | 80 |
To say one An Essay on Hamlet | 92 |
Hamlet Nationhood and Identity | 106 |
Class as Motivation in Othello | 129 |
Macbeth The Sexual Underplot | 150 |
Timon of Athens | 164 |
Antony and Cleopatra RolePlayer Actress ActorManager | 172 |
Sexual Imagery in Coriolanus | 186 |
Class Politics in Coriolanus | 200 |
Notes | 212 |
Index | 226 |
Lears System | 137 |
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Common terms and phrases
action actor Albany Antony and Cleopatra Antony's appears audience Aufidius Bolingbroke Bradley Brutus Buckingham Cambridge Cassio Chiron Claudius comedy comes Cominius Cordelia Coriolanus Coriolanus's Dane Danish death Denmark dialogue drama Elizabethan England father final Fortinbras France gentleman Hamlet hath Henry hint Horatio Iago identity Julius Caesar killing King Lear Lady Macbeth Laertes later Lavinia Lear's London lord meaning Menenius ment Mercutio metaphor Methuen mind mode mother needs Octavius opening Othello passage patriarchy patricians Peter Brook play's plebeians Poland political Polonius Prince Queen quell question rhyme Richard Richard III ritual role Rome Romeo and Juliet Rosencrantz and Guildenstern Saturninus says scene sense sexual Shake Shakespeare Shakespearean Tragedy social society soliloquy sonnet speak speech stage direction suggest symbolic thee thou thought Timon of Athens tion Titus Andronicus tragic triumph University Press Volumnia Wittenberg word
Popular passages
Page 152 - Was the hope drunk Wherein you dress'd yourself? hath it slept since? And wakes it now, to look so green and pale At what it did so freely? From this time Such I account thy love. Art thou afeard To be the same in thine own act and valour 40 As thou art in desire? Wouldst thou have that Which thou esteem'st the ornament of life, And live a coward in thine own esteem, Letting ' I dare not ' wait upon ' I would,' Like the poor cat i
Page 150 - For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be Which the eye fears, when it is done, to see.
Page 95 - That for some vicious mole of nature in them, As, in their birth,— wherein they are not guilty, Since nature cannot choose his origin,— By the o'ergrowth of some complexion, Oft breaking down the pales and forts of reason...
Page 84 - Why should that name be sounded more than yours ? Write them together, yours is as fair a name ; Sound them, it doth become the mouth as well ; Weigh them, it is as heavy ; conjure with them, Brutus will start a spirit as soon as Caesar.
Page 54 - The lights burn blue. It is now dead midnight. Cold fearful drops stand on my trembling flesh. What do I fear? myself? There's none else by, Richard loves Richard; that is, I am I.
Page 195 - O mother, mother! What have you done? Behold, the heavens do ope, The gods look down, and this unnatural scene They laugh at. O my mother, mother! O! You have won a happy victory to Rome; But, for your son — believe it, O, believe it — Most dangerously you have with him prevailed, If not most mortal to him.
Page 48 - Slave, I have set my life upon a cast, And I will stand the hazard of the die : I think, there be six Richmonds in the field; Five have I slain to-day, instead of him : — A horse!
Page 133 - He takes her by the palm; ay, well said, whisper; with as little a web as this will I ensnare as great a fly as Cassio. Ay, smile upon her, do; I will gyve thee in thine own courtship.
Page 102 - Why, man, they did make love to this employment; They are not near my conscience ; their defeat Does by their own insinuation grow : Tis dangerous, when the baser nature comes Between the pass and fell incensed points Of mighty opposites.