The Drama Classroom: Action, Reflection, TransformationRoutledge, 2004 M01 14 - 152 pages How can teachers incorporate drama into the curriculum? |
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Page 5
... thought or wrote about drama compared with those who did and practised drama. The thinkers couldn't practise, and the practitioners weren't thinkers, or so the argument went. The word 'praxis', though, brings these two aspects of theory ...
... thought or wrote about drama compared with those who did and practised drama. The thinkers couldn't practise, and the practitioners weren't thinkers, or so the argument went. The word 'praxis', though, brings these two aspects of theory ...
Page 9
... thought I'd better go and get some sugar from my neighbour. So I left the house and went to my next door neighbour's home. Now this neighbour was a pig, and he wasn't real bright either. He had built his whole house of straw. Do you ...
... thought I'd better go and get some sugar from my neighbour. So I left the house and went to my next door neighbour's home. Now this neighbour was a pig, and he wasn't real bright either. He had built his whole house of straw. Do you ...
Page 17
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Contents
Getting started with good pretexts | 23 |
storydrama and storying across | 44 |
Designing drama curriculum | 74 |
Historical perspectives on drama praxis | 95 |
Resources and further reading | 133 |
Common terms and phrases
action activity aesthetic approach argued artistic arts education asks assume Australia become begin Bolton Booth centre challenged Chapter classroom commit concerned construct context create creative critical curriculum David demonstrate described develop direct discussion drama praxis effective encounter Episode event example experience explore focus going happening Heathcote Heinemann human ideas important improvisation interest involved issues kind knowledge language lead leader learning lesson lives London look meaning O'Neill observation participants partnership passion patriots performance perspectives pigs play possibilities practice practitioners pre-text present Press principle process drama programme questions raised reading referred reflect relationship reminds Research responses role seemed shared skills social studies standards story storydrama strategies structure suggests Task teacher teaching tell temple theatre Theory thought transformed understanding University wolf York