The Drama Classroom: Action, Reflection, TransformationRoutledge, 2004 M01 14 - 152 pages How can teachers incorporate drama into the curriculum? What drama activities are especially successful? How do teachers know when students are learning in, through and about drama? Teachers who are new to drama, or those wishing to refresh their knowledge and ideas, should find practical answers and guidance in this text. The book introduces the work of Cecily O'Neill to demonstrate the entry points to drama lessons, the pre-texts, and how educators need to introduce lessons with challenging material. He then uses the work of David Booth to highlight one aspect of drama - storydrama - and how it can be used as an effective learning medium across the curriculum. |
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... approach for educators wanting to teach drama activities in educational, vocational and community settings. Informed by the pioneering work of the Brazilian educator, Paulo Freire, the text claims that drama educators work most ...
... approach for educators wanting to teach drama activities in educational, vocational and community settings. Informed by the pioneering work of the Brazilian educator, Paulo Freire, the text claims that drama educators work most ...
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... approach, then, is a teacher's wish to break down the stereotype, enable students to consider and tolerate ambiguity, and help them struggle with contradictory viewpoints of the world. Praxis principle I: Driven by inquiry Strategy ...
... approach, then, is a teacher's wish to break down the stereotype, enable students to consider and tolerate ambiguity, and help them struggle with contradictory viewpoints of the world. Praxis principle I: Driven by inquiry Strategy ...
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Contents
Getting started with good pretexts | 23 |
storydrama and storying across | 44 |
Designing drama curriculum | 74 |
Historical perspectives on drama praxis | 95 |
Resources and further reading | 133 |
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Common terms and phrases
action activity aesthetic approach argued artistic arts education asks assume Australia become begin Bolton Booth centre challenged Chapter classroom commit concerned construct context create creative critical curriculum David demonstrate described develop direct discussion drama praxis effective encounter Episode event example experience explore focus going happening Heathcote Heinemann human ideas important improvisation interest involved issues kind knowledge language lead leader learning lesson lives London look meaning O'Neill observation participants partnership passion patriots performance perspectives pigs play possibilities practice practitioners pre-text present Press principle process drama programme questions raised reading referred reflect relationship reminds Research responses role seemed shared skills social studies standards story storydrama strategies structure suggests Task teacher teaching tell temple theatre Theory thought transformed understanding University wolf York