SCENE II. Corioli. The Senate-House. Enter TULLUS AUFIDIUS and certain Senators. I Sen. So, your opinion is, Aufidius, That they of Rome are enter'd in 1 our counsels, Auf. Is it not yours? What ever hath been thought on in this State, Since I heard thence; these are the words: I think I have the letter here; yes, here it is: [Reads.] They've press'd3 a power, but it is not known Who is of Rome worse hated than of you,- 1 In for into; the two being often used indiscriminately. 2 That is, underhand intelligence, or knowledge got by circumvention. 8 The use of press'd in this place is well explained by a passage in North's Plutarch: "The common people, being set on a broile and bravery with these words, would not appeare when the Consuls called their names by a bill, to presse them for the warres. Martius then, who was now growne to great credit, and a stout man besides, rose up and openly spake against these flattering Tribunes: but to the warres the people by no means would be brought or constrained." To keep your great pretences 4 veil'd till when They needs must show themselves; which in the hatching, It seem'd, appear'd to Rome. By the discovery We shall be shorten'd in our aim; which was, To take-in 5 many towns, ere, almost, Rome Should know we were afoot. 2 Sen. Noble Aufidius, Take your commission; hie you to your bands If they set down before's, for their remove Auf. : O, doubt not that; All. The gods assist you! Auf. And keep your Honours safe! I Sen. 2 Sen. All. Farewell. Farewell. Farewell. [Exeunt. A Pretences is intentions or purposes. See vol. xvii. page 53, note 51. 6 To take-in was used for to subdue, to conquer. See page 99, note 16, 6" If the Romans besiege us, bring up your army to remove them." 7 Keep on striking till one hath struck his last. SCENE III.- Rome. A Room in MARCIUS'S House. Enter VOLUMNIA and VIRGILIA; they sit down on two low stools, and sew. Vol. I pray you, daughter, sing; or express yourself in a more comfortable sort: if my son were my husband, I should freelier rejoice in that absence wherein he won honour than in the embracements of his bed where he would show most love. When yet he was but tender-bodied, and the only son of my womb; when youth with comeliness pluck'd all gaze his way; when, for a day of kings' entreaties, a mother should not sell him an hour from her beholding; I considering how honour would become such a person; that it was no better than picture-like to hang by the wall, if renown made it not stir- was pleased to let him seek danger where he was like to find fame. To a cruel war I sent him; from whence he return'd, his brows bound with oak. I tell thee, daughter, I sprang not more in joy at first hearing he was a man-child than now in first seeing he had proved himself a man. Vir. But had he died in the business, madam, how then? Vol. Then his good report should have been my son; I therein would have found issue. Hear me profess sincerely: Had I a dozen sons, each in my love alike, and none less dear than thine and my good Marcius, I had rather have eleven die nobly for their country than one voluptuously surfeit out of action. Enter a Gentlewoman. Gent. Madam, the Lady Valeria is come to visit you. 1 Comfortable for comforting, that is, cheerful; the passive form with the active sense. Repeatedly so. See vol. xv. page 43, note 35. 2 Retire in the sense of withdraw; a frequent usage. Vol. Indeed, you shall not. Methinks I hear hither your husband's drum; Vir. His bloody brow! O Jupiter, no blood! [Exit Gent. Vir. Heavens bless my lord from fell Aufidius ! Vol. He'll beat Aufidius' head below his knee, And tread upon his neck. Re-enter Gentlewoman with VALERIA and her Usher. Val. My ladies both, good day to you. Vol. Sweet madam. Vir. I am glad to see your ladyship. Val. How do you both? you're manifest house-keepers.5 What are you sewing here? A fine spot, in good faith. How does your little son? Vir. I thank your ladyship; well, good madam. 3 Gilt was used for gold or gilding. So in King Henry V., iv. 3: "Our gayness and our gilt are all besmirch'd." 4 Contemning for contemptuously or in contempt. House-keepers for home-keepers or stayers-at-home. • A handsome spot of embroidery. We often hear of spotted muslin. Vol. He had rather see the swords, and hear a drum, than look upon his schoolmaster. Val. O' my word, the father's son: I'll swear, 'tis a very pretty boy. O' my troth, I look'd upon him o' Wednesday half an hour together: 'has such a confirm'd countenance. I saw him run after a gilded butterfly; and, when he caught it, he let it go again; and after it again; and over and over he comes, and up again; catch'd it again: and, whether his fall enraged him, or how 'twas, he did so set his teeth, and tear it; O, I warrant, how he mammock'd' it! Vol. One on's father's moods. Val. Indeed, la, 'tis a noble child. Vir. A crack,8 madam. Val. Come, lay aside your stitchery; I must have you play the idle huswife with me this afternoon. Vir. No, good madam; I will not out of doors. Val. Not out of doors! Vol. She shall, she shall. Vir. Indeed, no, by your patience; I'll not over the threshold till my lord return from the wars. Val. Fie, you confine yourself most unreasonably come, you must go visit the good lady that lies in. Vir. I will wish her speedy strength, and visit her with my prayers; but I cannot go thither. Vol. Why, I pray you? Vir. 'Tis not to save labour, nor that I want love. Val. You would be another Penelope : yet, they say, all the yarn she spun in Ulysses' absence did but !! Ithaca full of moths. Come; I would your cambric were sensible as 7 To mammock is to tear or cut in pieces. 8 A crack is a sprightly forward boy. So in Shallow's account of the boy Jack Falstaff, 2 Henry IV., iii. 2: "I saw him break Skogan's head at the court gate, when he was a crack, not thus high." * Sensible for sensitive, or susceptible of pain. See vol. vii, page 46, note 26. |