Robert Davenport's King John and Matilda ; a Critical EditionGarland Pub., 1980 - 163 pages |
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Page lxxvi
... stage directions are unusually detailed , and care is given especially to the matter of exits and stage business . This seems a clear indication that prompt copy was used to set the text . In the stage directions for beginning the ...
... stage directions are unusually detailed , and care is given especially to the matter of exits and stage business . This seems a clear indication that prompt copy was used to set the text . In the stage directions for beginning the ...
Page lxxxii
... stage direction was inserted , it caused obvious crowding , even though the compositor resorted to a different , smaller italic type for the second line of the stage direction , The last line of type on the page is down in what would be ...
... stage direction was inserted , it caused obvious crowding , even though the compositor resorted to a different , smaller italic type for the second line of the stage direction , The last line of type on the page is down in what would be ...
Page lxxxiii
... stage direction . The compositor again set this stage direction in a smaller italic type , but the crowding described above resulted nevertheless . This time the stage direction is Brand's switching gloves on Matilda , which could not ...
... stage direction . The compositor again set this stage direction in a smaller italic type , but the crowding described above resulted nevertheless . This time the stage direction is Brand's switching gloves on Matilda , which could not ...
Contents
GENERAL INTRODUCTION | iii |
Tradition of the History Play | xxxiii |
Conclusion | lx |
Copyright | |
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barons blood Brand Bullen character chaste chastity Ches Chester Chettle and Munday chronicle compositor copy copy-text Crown Davenport Death of Huntington dramatic Dunmow Earl of Chester Earl Richmond edition emendation Enter King Escutchions Exeunt Exit eyes Father Fitz Fitzwater friends Gentlemen Glove goodnesse hath hear heart heaven history play honour Hubert i'le i'th inner forme Interdiction Jacobean John and Matilda John's King John king's Lady Bruce Lady Elizabeth's Men Leis Leister Lord Madam Maid Majestie masque moral Mother noble old Bruce outer forme Oxford Pandulph passion Pennycuicke pledge pledget poems political Polydore Vergil pope printed quarto Queen Queen Henrietta's Men rebellion Richmond Robert Davenport scene set by formes Shakespeare shalt Sidney Painter Sonne soul Souldier source play spelling stage direction Sun's Darling sweet tears tell thee thou tragedy unto variants vertue Wee'l Woodstock young Bruce