Robert Davenport's King John and Matilda ; a Critical EditionGarland Pub., 1980 - 163 pages |
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Page xvii
... changes which Davenport has made are in emphasis , in structure to produce better dramatic effect , in arrangement of scenes and action , in development and motivation of character , and , perhaps most important , in stagecraft . In ...
... changes which Davenport has made are in emphasis , in structure to produce better dramatic effect , in arrangement of scenes and action , in development and motivation of character , and , perhaps most important , in stagecraft . In ...
Page lxxvi
... changes clearly Davenport's , we therefore need not consider any change to have authority . To evaluate the reliability of the text we have in Q1655 , it is useful to determine as nearly as possible what the printer used as the source ...
... changes clearly Davenport's , we therefore need not consider any change to have authority . To evaluate the reliability of the text we have in Q1655 , it is useful to determine as nearly as possible what the printer used as the source ...
Page xcv
... changes in the substantive reading of the copy - text . There are several other lines in the text which seem metrically corrupt ; I have retained the copy - text readings in these places , however , because I was unable to suggest any ...
... changes in the substantive reading of the copy - text . There are several other lines in the text which seem metrically corrupt ; I have retained the copy - text readings in these places , however , because I was unable to suggest any ...
Contents
GENERAL INTRODUCTION | iii |
Tradition of the History Play | xxxiii |
Conclusion | lx |
Copyright | |
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barons blood Brand Bullen character chaste chastity Ches Chester Chettle and Munday chronicle compositor copy copy-text Crown Davenport Death of Huntington dramatic Dunmow Earl of Chester Earl Richmond edition emendation Enter King Escutchions Exeunt Exit eyes Father Fitz Fitzwater friends Gentlemen Glove goodnesse hath hear heart heaven history play honour Hubert i'le i'th inner forme Interdiction Jacobean John and Matilda John's King John king's Lady Bruce Lady Elizabeth's Men Leis Leister Lord Madam Maid Majestie masque moral Mother noble old Bruce outer forme Oxford Pandulph passion Pennycuicke pledge pledget poems political Polydore Vergil pope printed quarto Queen Queen Henrietta's Men rebellion Richmond Robert Davenport scene set by formes Shakespeare shalt Sidney Painter Sonne soul Souldier source play spelling stage direction Sun's Darling sweet tears tell thee thou tragedy unto variants vertue Wee'l Woodstock young Bruce