Robert Davenport's King John and Matilda ; a Critical EditionGarland Pub., 1980 - 163 pages |
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Page lxii
... beginning , the movement is even then untrammeled with lengthy exposition such as one finds , for example , at the beginning of Perkin Warbeck . Instead , the two central issues of the play , John's passion for Matilda and his political ...
... beginning , the movement is even then untrammeled with lengthy exposition such as one finds , for example , at the beginning of Perkin Warbeck . Instead , the two central issues of the play , John's passion for Matilda and his political ...
Page lxv
... barons which prepares us for the advent of full scale combat between the opposing forces beginning in Act III . Except for the scene in Act III in which the Interdiction . barons plan their overtures to the French , there is lxv.
... barons which prepares us for the advent of full scale combat between the opposing forces beginning in Act III . Except for the scene in Act III in which the Interdiction . barons plan their overtures to the French , there is lxv.
Page xcii
... beginning of each act . Lower - case letters at the beginning of lines of verse have been capitalized , and since these do not occur frequently I have noted each instance in a foot- note . I have not capitalized lower - case letters ...
... beginning of each act . Lower - case letters at the beginning of lines of verse have been capitalized , and since these do not occur frequently I have noted each instance in a foot- note . I have not capitalized lower - case letters ...
Contents
GENERAL INTRODUCTION | iii |
Tradition of the History Play | xxxiii |
Conclusion | lx |
Copyright | |
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Common terms and phrases
barons blood Brand Bullen character chaste chastity Ches Chester Chettle and Munday chronicle compositor copy copy-text Crown Davenport Death of Huntington dramatic Dunmow Earl of Chester Earl Richmond edition emendation Enter King Escutchions Exeunt Exit eyes Father Fitz Fitzwater friends Gentlemen Glove goodnesse hath hear heart heaven history play honour Hubert i'le i'th inner forme Interdiction Jacobean John and Matilda John's King John king's Lady Bruce Lady Elizabeth's Men Leis Leister Lord Madam Maid Majestie masque moral Mother noble old Bruce outer forme Oxford Pandulph passion Pennycuicke pledge pledget poems political Polydore Vergil pope printed quarto Queen Queen Henrietta's Men rebellion Richmond Robert Davenport scene set by formes Shakespeare shalt Sidney Painter Sonne soul Souldier source play spelling stage direction Sun's Darling sweet tears tell thee thou tragedy unto variants vertue Wee'l Woodstock young Bruce