Essays on Chivalry, Romance, and the Drama
Frederick Warne, 1887 - 403 pages
Originally issued as v 6 of Sir Walter Scott's Prose works, Edinburgh, 1834 Includes bibliographical references Essay on chivalry -- Essay on romance -- Essay on the drama.
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actors adventures affection Amadis Amadis de Gaul amusement ancient appear Aristotle arms audience battle beautiful betwixt Brantome called character Charlemagne chivalry circumstances comedy comic composition court criticism David Hume degree distinguished Drama Duke of Guise England English extravagant fancy favour feeling fiction France French Galaor genius Gennaro Grecian hand hero Highlanders honour horse humour imagination interest introduced John Home King knight knighthood lady language Lisuarte Lord manner Masaniello minstrels modern Moliere Moliere's moral Naples nature never noble occasion original passion peculiar Perceforest perhaps person personages piece play poet poetry popular possessed present prince profession prose rank received rendered representation resembling ridicule Romance romantic fiction satire says scene Scotland seems sentiment Shakspeare Sir John Cope Spanish species spectators spirit squire stage supposed Susarion sword talents Tartuffe taste theatre tion tragedy valour viceroy
Page 270 - The other shape, If shape it might be called that shape had none Distinguishable in member, joint, or limb ; Or substance might be called that shadow seemed, For each seemed either : black it stood as night, Fierce as ten Furies, terrible as hell, And shook a dreadful dart ; what seemed his head, The likeness of a kingly crown had on.
Page 269 - This opinion, which, perhaps, prevails as far as human nature is diffused, could become universal only by its truth: those that never heard of one another would not have agreed in a tale which nothing but experience can make credible. That it is doubted by single cavillers can very little weaken the general evidence, and some who deny it with their tongues, confess it by their fears.
Page 299 - Some say no evil thing that walks by night, In fog or fire, by lake or moorish fen, Blue meagre hag, or stubborn unlaid ghost, That breaks his magic chains at curfew time, No goblin or swart faery of the mine, Hath hurtful power o'er true virginity.
Page 200 - Piece out our imperfections with your thoughts ; Into a thousand parts divide one man, And make imaginary puissance ; Think, when we talk of horses, that you see them Printing their proud hoofs i' the receiving earth : — For 'tis your thoughts that now must deck our kings; Carry them here and there ; jumping o'er times, Turning the accomplishment of many years Into an hour-glass...
Page 270 - It stood still, but I could not discern the form thereof: an image was before mine eyes, there was silence, and I heard a voice, saying, ""Shall mortal man be more just than God?
Page 270 - What might this be ? A thousand fantasies Begin to throng into my memory, Of. calling shapes, and beckoning shadows dire, And airy tongues that syllable men's names On sands, and shores, and desert wildernesses.
Page 199 - Are now confined two mighty monarchies, Whose high upreared and abutting fronts The perilous narrow ocean parts asunder: Piece out our imperfections with your thoughts; Into a thousand parts divide one man, And make imaginary puissance; Think, when we talk of horses, that you see them Printing their proud hoofs i...
Page 203 - I saw Hamlet Prince of Denmark played, but now the old plays began to disgust this refined age, since his Majesties being so long abroad.
Page 165 - And let those that play your clowns speak no more than is set down for them: for there be of them that will themselves laugh, to set on some quantity of barren spectators to laugh too, though in the meantime some necessary question of the play be then to be considered: that's villanous and shows a most pitiful ambition in the fool that uses it.
Page 180 - Time is of all modes of existence most obsequious to the imagination; a lapse of years is as easily conceived as a passage of hours. In contemplation we easily contract the time of real actions and therefore willingly permit it to be contracted when we only see their imitation.