The Works of Shakespeare: Timon of Athens |
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Page v
At each end of the hall are steps , and up and down these and over the floor of the chamber passes the mask procession , a drummer , a “ trounchman " with a paper in his hand , Mercury , Diana , six Nymphs , and ten Cupids , five white ...
At each end of the hall are steps , and up and down these and over the floor of the chamber passes the mask procession , a drummer , a “ trounchman " with a paper in his hand , Mercury , Diana , six Nymphs , and ten Cupids , five white ...
Page 94
There are three types of reference to talents in Timon : ( i ) those in which a relatively small number , three or five , is used ( 1. 1. 98 , 144 ; 2. 2. 232 , 235 ; the reference in 1. 2. 6 to ' those talents ' does not contradict ...
There are three types of reference to talents in Timon : ( i ) those in which a relatively small number , three or five , is used ( 1. 1. 98 , 144 ; 2. 2. 232 , 235 ; the reference in 1. 2. 6 to ' those talents ' does not contradict ...
Page 96
235 , the five talents to be given to ' these fellows | To whom ' tis instant due ' are evidently thought of as at least staving off disaster for the moment , and the difference between this sum and the ' thousand ' and ' fifty ...
235 , the five talents to be given to ' these fellows | To whom ' tis instant due ' are evidently thought of as at least staving off disaster for the moment , and the difference between this sum and the ' thousand ' and ' fifty ...
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Contents
A MASQUE AT A BANQUET v 32 FRONTISPIECE | vii |
THE STAGEHISTORY | xliii |
TO THE READER | lv |
Copyright | |
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Common terms and phrases
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