Second Cit. Would you proceed especially against Caius 25 Marcius? All. Against him first: he's a very dog to the com monalty. Second Cit. Consider you what services he has done for his country? First Cit. Very well; and could be content to give him. good report for 't, but that he pays himself with being proud. Second Cit. Nay, but speak not maliciously. 30 First Cit. I say unto you, what he hath done famously, 35 he did it to that end: though soft-conscienced men. can be content to say it was for his country, he did it to please his mother, and to be partly proud; which he is, even to the altitude of his virtue. Second Cit. What he cannot help in his nature, you 40 account a vice in him. You must in no way say he is covetous. First Cit. If I must not, I need not be barren of accusations: he hath faults, with surplus, to tire in repetition. [Shouts within. 45 What shouts are these? The other side o' the city is risen why stay we prating here? to the Capitol ! 34. Second Cit.] Malone; All. Ff. 46. o' the] o' th' F 4; a'th F; a'th' F 3. 27. All] Malone thought these words as only once again in Shakespeare, should be put into the mouth of First Henry VIII, 1. ii. 170: "To gain Citizen, and Hudson so reads. the love o' the commonalty." in North's Plutarch; see the Extracts, ante, p. xxxi, etc. Also see Nash, Pierce Penilesse, 1592, ed. McKerrow, I. 222 (last line): "the brutish Comminaltie." a very dog to, etc.] The dog is sometimes mentioned with indifference, and generally as the incarnation of bad qualities in Shakespeare's plays. In King Lear, III. iv. 96, the characteristic of the dog is madness: "hog in sloth, fox in stealth, wolf in greediness, dog in madness," the sense of madness here being probably rabies, wild fury. See also 2 Henry IV. Iv. v. 131133: "For the fifth Harry from curb'd license plucks The muzzle of restraint, and the wild dog Shall flesh his tooth in every innocent"; and, among other writers, Halle, Chronicle, 1542, ed. 1809, p. 21: "The Gascons now abhorring the English people more than a dog or an Adder." 27. commonalty] the common people: It is 34. Nay, but, etc.] Malone again would place these words in the First Citizen's mouth. 37-38. he. proud] he did it partly to please his mother, and partly for the sake of his pride. It is unnecessary to change the text, as various editors have done. 39. to the altitude] Steevens quotes Henry VIII. 1. ii. 214 : "He's traitor to the height." The speaker, of course, means to say: "brave man as he is, he is quite as proud as he is brave." 46. The city] Probably Shakespeare had in his mind, the fact that the people went out, as Plutarch told him, to" the Holy Hill" (Mons Sacer) where the tribunes were granted them. All. Come, come. First Cit. Soft! who comes here? Enter MENENIUS AGRIPPA. Second Cit. Worthy Menenius Agrippa; one that hath always loved the people. First Cit. He's one honest enough: would all the rest were so! Men. What work 's, my countrymen, in hand? where go you With bats and clubs? The matter? Speak, I pray you. First Cit. Our business is not unknown to the senate; they have had inkling this fortnight what we intend to do, which now we 'll show 'em in deeds. 50 55 54, 55. What . . . pray you.] As Theobald; three lines ending. hand? you in Ff. 56. First Cit.] 1 Cit. Capell (and throughout matter the scene); 2 Cit. Ff. 49. Soft!] A common expression used to restrain, delay, or give pause: see The Tempest, 1. ii. 449: "Soft sir: one word more, "and Mother Bombie, 1598, Fairholt's Lyly, II. 145, "Nay, soft, take us with you." Sometimes we find "soft, soft" (Twelfth Night, 1. v. 312), sometimes "Soft you" (Hamlet, III. i. 88). See also Nash, Have with you to Saffron Walden, 1596, ed. McKerrow, III. 118, line 29, "But soft you now how is this, or any part of this to be proved?" 55. bats and clubs] As again 1. i. 160 post. Boswell-Stone (Shakespeare's Holinshed, 1896, p. 221), writes (re Henry VI. Part I.), quoting Fabyan's Chronicles, 1516, p. 596: "Fabyan says (596) that the Parliament which witnessed the reconciliation of Gloucester and Winchester 'was clepyd of the Comon people the Parlyament of Battes: the cause was, for Proclamacyons were made, that men shulde leue theyr Swerdes and other wepeyns in theyr Innys, the people toke great battes and stauys in theyr neckes, and so folowed theyr lordes and maisters vnto the Parlyament.'" Bat = a stout staff: compare A Lover's Complaint, 64, "So slides he down upon his grained bat." We read in Wyclif's Bible, Mathew, xxvI. 47, "a great cumpanye with swerdis and battes" ("swords and staves" in the Authorized version). Shakespeare has frequent references to clubs, the weapon of prentices and other citizens. See 1 Henry VI. 1. iii. 84, in this series, and the note there. The matter] Often used for "What's the matter?" (which occurs in 11. i. 255 post. For the present expression, see III. i. 27 post, and Antony and Cleopatra, II. vii. 63: "I think thour't mad. The matter?" 56. First Cit.] Capell's correction, adopted here and in the following speeches, is thus advocated by Malone: This and all the subsequent plebeian speeches in this scene are given in the old copy to the second Citizen. But the dialogue at the opening of the play shows that it must have been a mistake, and that they ought to be attributed to the first Citizen. The second is rather friendly to Coriolanus." 57. inkling] hint, slight intimation. Only once again in Shakespeare, Henry VIII. 11. i. 140: "I can give you inkling Of an ensuing evil." See North's Plutarch, 1579, ed. 1595, p. 468: "But the keeper of the house, having an inckling of their coming, Lyly, Euphues and his England, 1580 (ed. Arber, p. 420): "though loth that Camilla should conce[i]ue any inckling." They say poor suitors have strong breaths: they 60 Men. Why, masters, my good friends, mine honest neigh bours, Will you undo yourselves? First Cit. We cannot, sir; we are undone already. Have the patricians of you. For your wants, 65 70 Your knees to them, not arms, must help. Alack! Thither where more attends you; and you slander 75 61, 62. Why... yourselves ?] As Theobald; Ff divide after honest. 65. you. For wants,] Johnson; you: for . . . wants, Rowe; you for . . . wants. F; you for . . . wants, F 3. 66 59-60. They say too] A quibble. Strong is defined by Johnson (Dict.), in this connection, as affecting the smell powerfully, and he quotes Hudibras, [Part II. canto i, 753-755]:"The prince of Cambay's daily food Is asp, and basilisk, and toad, Which makes him have so strong a breath," etc. Compare Iv. vi. 99 post, "The breath of garlic-eaters," II. i. 232, " beg their stinking breaths," III. iii. 120, "whose breath I hate As reek o' the rotten fens," and see also Measure for Measure, III. ii. 187-189 (in this edition): "he would mouth with a beggar, though she smelt brown bread and garlic," and Mr. Hart's note there. 66. dearth] famine; its primary meaning is dearness, scarcity of corn. It is often used by Shakespeare: see 1. ii. 10 post, and Antony and Cleopatra, II. vii. 21-23: "they know ... By the height, the lowness, or the 'fathers,' was the title of the Senators mean, if dearth Or foizon follow." of ancient Rome; hence patrician =' of noble birth'" (Verity). First Cit. Care for us! True, indeed! They ne'er cared for us yet suffer us to famish, and their storehouses crammed with grain; make edicts for usury, to sup- 80 port usurers; repeal daily any wholesome act established against the rich, and provide more piercing statutes daily, to chain up and restrain the poor. If the wars eat us not up, they will; and there's all the love they bear us. Men. Either you must Confess yourselves wondrous malicious, A pretty tale: it may be you have heard it; 78. indeed! They] indeed !-they Theobald; indeed, they Ff. Ff, stale 't Theobald. 85 90 91. scale 't] 78. True indeed !] Ironical. "O be found a brief statement of my own yes, very likely." 79-80. suffer. grain] Shakespeare had read in North's Plutarch (see Extracts, ante, p. xl): "In the meane season there came great plenty of corn to Rome that had been bought, part in Italie, and part was sent out of Sicilie, as geven by Gelon the tyranne of Syracusa." 80, 81, make . . . usurers] An allusion to the subject of the quarrel between the Patricians and Plebeians stated in North's Plutarch: see Extracts, p. xxx ante. 82-83. more piercing statutes] Compare "biting laws," Measure for Measure, I. iii. 19. 89. pretty] Perhaps = apt, pat, to the purpose. Shakespeare often uses pretty in the sense of "suitable": compare Romeo and Juliet, 1. iii. 1o, a pretty age," i.e. one suitable for marriage; Troilus and Cressida, 1. ii. 169, "his pretty answer.' See also Burton, Anatomy of Melancholy, 1621, Part I, Sec. 2, Mem. 4, Subsec. 4: "Martin Cromerus, in the sixth book of his history, hath a pretty story to this purpose; " and then follows a rather horrible tale. 91. To scale 't • more] scale 't is retained here solely in deference to Mr. Craig's intention, as strongly expressed in the following note, after which will objections to it.-R. H. C. I retain First Cit. Well, I'll hear it, sir; yet you must not think to fob off our disgrace with a tale; but, and 't please you, deliver. Men. There was a time when all the body's members ... 95 92-94. Prose Capell; four lines ending Well, . . . thinke . . tale .. deliver. in Ff. ford Shakespeare, 1891, retained the Ff reading, and nothing would induce him to follow Theobald: for though he admits it is not impossible that Shakespeare may have written stale't, it is bad editing to strike out what already makes excellent sense, and to "re-write Shakespeare." Now with regard to the verb scale, first let us remember that Shakespeare often uses words in a somewhat licentious sense, bending them without scruple to one that pleases him. It is not impossible that the idea in his mind may have been, to ventilate, air, disperse, with a sort of play on the sense "weigh in scales," a sense which the word bears in 11. iii. 247 post. This sort of thing he has done often see A Midsummer Night's Dream, 1. i. 131, where it is most likely that he uses beteem in the double sense of " pour out" and "allow," " "permit"; and Lear, III. vii. 61, where "stelled " appears to be used in the double senses of " 66 fixed" or set,' "and "starry." Steevens gives several examples of scale in the sense of "disperse" e.g. Holinshed, Chronicle, vol. ii. p. 499: "they" (the Welshmen) "would no longer abide, but scaled and departed away"; The Hystorie of Clyomon, Knight of the Golden Shield, etc., 1599 (see Peele's Works, Bullen, II. 164) : "Clyo. Ah sirrah, now the hugy heaps of cares that lodged in my mind Are scaled from their nestling place, and pleasures passage find."-Craig. Mr. Craig pleads for, and acts on, a good principle; but I feel bound to point out that the words "some of" which Steevens slips into his interpretation to give it probability have no warrant from Shakespeare: ("Though some of you have heard," etc.). Menenius speaks to all the citizens present: "Either you must confess yourselves I shall tell you a pretty tale; it may be you have heard it" and assumes is story to be possibly known to all. Hence to enable him to scale or diffuse it, we should have to assume that in saying: "it may be you have heard it," he suddenly and pointedly addresses the First Citizen only: we cannot turn you into some of you to please Steevens. 93. fob off. tale] to cajole us, to put our wrongs out of our heads by telling us a story. Compare fub off, another form of this word: see 2 Henry IV. II. i. 36-38, "I have borne, and borne, and borne, and have bin fub'd off, and fub'd off from this day to that day (here it means put off, deluded by empty words); and also compare fobb'd in the sense of cheated, deluded, in 1 Henry IV. 1. ii. 68. For fob off see The Chances, III. iv. (Beaumont and Fletcher, 1679 folio, p. 420) :— "Never fool Was so fobb'd off as I am;" also (in form fop off) The London Prodigal, 1605, 1. i.: "Sblood, what, doth hee thinke to fop of his posteritie with paradoxes? disgrace] "Disgraces ships, or injuries " (Johnson). are hard and 't] the spelling of the folios, for which Hanmer and other editors have substituted an 't. See Antony and Cleopatra, II. vii. 98, in this edition, and note there. 94. deliver] out with it: compare Richard II. III. iii. 33, 34: "Send the breath of parley Into his ruin'd ears, and thus deliver: " The sense "to relate " is very frequent in Shakespeare. 95, 96. There . . . belly ;] See Introduction, p. x, and Extracts, ante, pp. xxxi and Ixiii. |