THE LIBRARY OF 1. ADDISON (JOSEPH). The Campaign, a Poem, To His Grace the Duke of Marlborough. Folio, full polished calf, gilt back and borders, gilt top, SOME EDGES UNCUT, by Riviere. London: Printed for Jacob Tonson, 1705 A MAGNIFICENT COPY OF THE VERY RARE FIRST EDITION, with some edges UNCUT. The Battle of Blenhiem had excited the attention of It is interesting to note that Addison composed this poem in his lodg- THE PRESENT COPY HAS THE HALF-TITLE. 2. ADDISON (JOSEPH). Remarks on Several Parts of Italy, &c. In the Years 1701, 1702, 1703. 8vo, contemporary panelled calf, gilt back (hinges weak). London: Printed for Jacob Tonson, 1705 FIRST EDITION, with the half-title. Autograph of John Dumarery on 3. [ADDISON (JOSEPH).] Rosamond. An Opera. Humbly Inscrib'd to Her Grace the Dutchess of Marlborough. Small 4to, FIRST EDITION, with the Prologue by Pope and the Epilogue by Garth. 5. [AKENSIDE (MARK).] The Pleasures of Imagination. A London: Printed for R. Dodsley, 1744 FIRST EDITION. Scarce in uncut state. With numerous marginal man- 6. ANACREON. Done into English Out of the Original Greek. FIRST EDITION of this translation. Bound in at the end is: "The 7. ANSTEY (CHRISTOPHER). A Familiar Epistle from C. FINE COPY OF THE FIRST EDITION. VERY SCARCE. 8. ARNOLD (EDWIN). Griselda. A Tragedy; and other London: Bogue, 1856 FIRST EDITION of one of Arnold's earliest works. Fine copy. THE EXCESSIVELY RARE FIRST EDITION 9. [ARNOLD (MATTHEW).] Alaric at Rome. A Prize Poem, Rugby: Combe and Crossley, 1840 THE FIRST EDITION. OF EXCESSIVE RARITY. Slater remarks of this 10. ARNOLD (MATTHEW). Cromwell: A Prize Poem, re- FIRST EDITION. EXTREMELY RARE. A copy of the Second Edition, WITH ORIGINAL PENCIL DRAWING BY KIPLING'S FATHER 11. [ARNOLD (MATTHEW).] The Strayed Reveller, and London: B. Fellowes, 1849 THE VERY RARE FIRST EDITION. The work was suppressed by the author, ORIGINAL PENCIL DRAWING BY MR. KIPLING. 12. [ARNOLD (MATTHEW).] Empedocles on Etna, and other Poems. By A. 12mo, original cloth, uncut. London: B. Fellowes, 1852 THE EXTREMELY RARE FIRST EDITION. This book was withdrawn from 13. ARNOLD (MATTHEW). England and the Italian Ques- FIRST EDITION. Very scarce. Inscribed on title: "With the Author's 14. ARNOLD (MATTHEW). On Translating Homer. Three Lectures given at Oxford. 12mo, original cloth, uncut. FIRST EDITION. London, 1861 15. ARNOLD (MATTHEW). Saint Brandan. 12mo, original FIRST EDITION. Extremely scarce. 16. ARNOLD (MATTHEW). Friendship's Garland. 12mo, FIRST EDITION. Fine copy. Very scarce. 17. ARNOLD (MATTHEW). Geist's Grave. 12mo, original London, 1881 THE VERY SCARCE FIRST EDITION OF THIS PRIVATELY PRINTED ELEGY on 18. ARNOLD (MATTHEW). Education Reform League. Spe- FIRST EDITION 19. ARNOLD (MATTHEW). On Home Rule for Ireland, Two London: Privately Printed, 1891 FIRST EDITION. Scarce. 20. ARNOLD (MATTHEW). Alaric at Rome. A Prize Poem. Edited by Thomas J. Wise. Frontispiece of binding, and facsimile. 8vo, boards, uncut. London: Printed for Private Circulation only, 1893 ONE OF A FEW COPIES ON VELLUM. 21. ASHENDENE PRESS. The Book of Ecclesiastes; or, The Preacher. Square 16mo, full maroon morocco, gilt center ornaments on sides, uncut. Ashendene, 1897 CHOICE COPY. SCARCE. 22. AUSTIN (ALFRED). Original Manuscript of his Poem "Shelley's Death." Written on 3 sheets of foolscap and signed at the end. An interesting Shelley item, written by a Poet Laureate. The note at the beginning explains the poem. "A little while ago, there died at Spezzia an old sailor, who in his last confession to the priest (whom he told to make it public) stated that he was one of the crew that ran down Shelley and Williams, which was done under the impression that the rich Milord Byron was on board with lots of money," etc. A COLORED COPY, POSSIBLY UNIQUE 23. AYRES (PHILIP). Emblemata Amatoria. Emblems of Love. In four Languages. Dedicated to the Ladys. Engraved title and 45 plates, BRILLIANTLY ILLUMINED IN COLORS AND GOLD. 8vo, contemporary calf, gilt back and sides, gilt edges. London: R. Bently, 1683 A POSSIBLY UNIQUE COPY OF THE RARE FIRST EDITION, WITH THE PLATES BEAUTIFULLY COLORED. Mr. Forman notes: "This is apparently an exceptional copy of the first edition drawn for the purpose of colouring before the foot inscriptions on leaves 5 to 12 had been engraved and when the signature "A" was standing on the 1st emblem instead of on the leaf facing it. Also the first line of Ayres' inscription for emblem 11 wants the word "to" between "not" and "conceal." "Apart from this evidence there would be no doubt that the colouring and lavish gilding was done at the time of publication, as the paper with which the book is interleaved, the binding, and the marbled and papers are all contemporary. I NEVER HEARD OF ANOTHER COLOURED COPY.'' 24. AYRES (PHILIP). Emblemata Amatoria. In Four Languages. Engraved title and 45 brilliant plates. 12mo, old mottled calf, gilt back. London: Sold by R. Bently, 1683 FINE COPY OF THE RARE DATED FIRST ISSUE. Emblemata Amatoria. Emblemes Engraved 25. AYRES (PHILIP). d'Amour en Quatre Langue. L'Amour aux Dames. title, text, and 45 brilliant plates. 12mo, original marbled wrappers, uncut. N.p., n.d. FINE COPY. RARE. A number of clippings, notes, etc., relating to the various editions of this work are laid in. 26. AYRES (PHILIP). Lyric Poems, Made in Imitation of the Italians. Of which, many are Translations from other Languages. Engraved frontispiece. 8vo, old half green calf, gilt back. FIRST EDITION. Rare. London, 1687 27. BACON (SIR FRANCIS). Cases of Treason. Device on title. Small 4to, half old calf. London: Printed by the Assignes of John More, 1641 FIRST EDITION. Bound in with the above, is: "The Counter-Scuffle. Whereunto is added The Counter-Rat. Written by R. S. London, 1670.' EDWARD FITZGERALD'S COPY 28. BEAUMONT (FRANCIS) and FLETCHER (JOHN). Comedies and Tragedies Never Printed Before, And now published by the Authors Original Copies. With brilliant portrait of Fletcher by William Marshall. Folio, full old calf, blind tooled back and sides. London: Printed for Humphrey Robinson, 1647 THE VERY RARE FIRST COLLECTIVE EDITION. A good sound copy. 36 of the Plays are here printed for the First Time. No fewer than 21 pages are occupied by complimentary verses. On the title margin is the old signature of Step: Thornley, and on the fly-leaf, that of E. FitzGerald, the translator of the Rubaiyat, with his bookplate. 29. BEAUMONT (FRANCIS) and FLETCHER (JOHN). The Wild-Goose Chase. A Comedie. As it hath been Acted with singular Applause at the Black-Friers: Being the Noble, Last, and Onely Remaines of those Incomparable Drammatists. Retrieved for the Publick delight of all the Ingenious. By a Person of Honour. Folio, contemporary calf, rebacked. London: Printed for Humpherey Moseley, 1652 AN EXCEPTIONALLY LARGE AND CHOICE COPY OF THE FIRST ISSUE OF THE FIRST EDITION. On the verso of sig. a, the title of the play was evidently printed "The Wild-Chase Chase"; this has been corrected by a slip with the proper word "Goose" printed thereon, and pasted over the erroneously printed word. This has apparently escaped the notice of bibliographers. This is the play which was lost, and consequently could not be included in the 1647 folio edition of Beaumont and Fletcher's works. Bookplate of Frederic E. Wheeler. 30. BEAUMONT (JOSEPH). Psyche: or Loves Mysterie. In XX. Canto's: Displaying the Intercourse Betwixt Christ and the Soule. Folio, fine old polished calf, gilt back. London: Printed by John Dawson for George Boddington, 1648 |