Society and Sentiment: Genres of Historical Writing in Britain, 1740-1820Princeton University Press, 2000 M05 1 - 369 pages A deepening interest in both social and interior experience was a distinguishing feature of the cultural life of eighteenth-century Britain, influencing writers in all genres from fiction to philosophy. Focusing on this interplay of ideas and genres, Mark Phillips explores the ways in which writers and readers of history, memoir, biography and related literatures responded to the social and sentimental concerns of a modern, commercial society. He shows that the writing of history, which once concentrated exclusively on political events, widened its horizons in ways that often paralleled better-known developments in the contemporary novel. Ultimately, Phillips proposes a new model for the study of historiographical narrative. Countering tropological readings identified with Hayden White, he offers a more historically nuanced approach that stresses questions of genre and reception as a guide to understanding how narratives were reshaped by new audiences and new social needs. |
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... principle rank. Men of genius and philosophical reflec- tion have disentangled the chaos, and, by pursuing a route hitherto unknown, have destroyed the fictions and romances of monkish ignorance and credulous superstition. . . . Latter ...
... principles that must be reconciled in practice, but that always stand in some tension.29 These tensions were not, of course, unique to historiography—they also reflect the. 27 For “exemplary history,” see George Nadel, “The Philosophy of ...
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Society and Sentiment: Genres of Historical Writing in Britain, 1740-1820 Mark Phillips No preview available - 2000 |
Society and Sentiment: Genres of Historical Writing in Britain, 1740-1820 Mark Phillips No preview available - 2000 |