Society and Sentiment: Genres of Historical Writing in Britain, 1740-1820Princeton University Press, 2000 M05 1 - 369 pages A deepening interest in both social and interior experience was a distinguishing feature of the cultural life of eighteenth-century Britain, influencing writers in all genres from fiction to philosophy. Focusing on this interplay of ideas and genres, Mark Phillips explores the ways in which writers and readers of history, memoir, biography and related literatures responded to the social and sentimental concerns of a modern, commercial society. He shows that the writing of history, which once concentrated exclusively on political events, widened its horizons in ways that often paralleled better-known developments in the contemporary novel. Ultimately, Phillips proposes a new model for the study of historiographical narrative. Countering tropological readings identified with Hayden White, he offers a more historically nuanced approach that stresses questions of genre and reception as a guide to understanding how narratives were reshaped by new audiences and new social needs. |
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... Memory and Private Sentiment,” in Shifting the Boundaries: Transformation of the Languages of Public and Private in the Eighteenth Century, ed. D. Castiglione and L. Sharpe (Exeter: Exeter University Press, 1995), 196–219. Abbreviations ...
... Memory (Verso: London, 1994), 41–42. 12 It is not always easy to make this plural sense explicit; “the genres of historical writing” makes too awkward a phrase to repeat very often. I would like, however, to be understood as referring ...
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Society and Sentiment: Genres of Historical Writing in Britain, 1740-1820 Mark Phillips No preview available - 2000 |
Society and Sentiment: Genres of Historical Writing in Britain, 1740-1820 Mark Phillips No preview available - 2000 |