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abilities admiration advantages appearance attempt attention body called character common consider consideration course criticism desire discover doubt effect endeavour entirely equally excellence existence expression favour feelings former frequently future genius give glory GREGORY GRIFFIN Griffin hand heart hero honour hope human idea immediately indulgence instance kind knowledge known language learning least less letter liberty light lived look mankind manners means merit mind MONDAY morality nature never object observed once opinion original passions perhaps period person pleasing poem poet poetry political possessed present principle probably proceed produced prove readers reason received reflection remain respect Roman seems short similar society spirit success superior suppose taste tell thing thought true universal virtue whole wish writers
Page 264 - What he attempted, he performed ; he is never feeble, and he did not wish to be energetic ; he is never rapid, and he never stagnates. His sentences have neither studied amplitude, nor affected brevity ; his periods, though not diligently rounded, are voluble and easy. Whoever wishes to attain an English style, familiar but not coarse, and elegant but not ostentatious, must give his days and nights to the volumes of Addison, HUGHES.
Page 264 - His prose is the model of the middle style ; on grave subjects not formal, on light occasions not grovelling ; pure without scrupulosity, and exact without apparent elaboration ; always equable and always easy, without glowing words or pointed sentences. Addison never deviates from his track to snatch a grace : he seeks no ambitious ornaments and tries no hazardous innovations. His page is always luminous, but never blazes in unexpected splendour.
Page 265 - To gild refined gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or add another hue Unto the rainbow, or with taper-light To seek the beauteous eye of heaven to garnish, Is wasteful, and ridiculous excess.
Page 84 - That age will never again return, when a Pericles, after walking with Plato in a portico built by Phidias and painted by Apelles, might repair to hear a pleading of Demosthenes or a tragedy of Sophocles.
Page 195 - Yet all these were, when no man did them know; Yet have from wisest ages hidden beene: And later times things more unknowne shall show. Why then should witlesse man so much misweene That nothing is, but that which he hath scene?
Page 230 - And felt the footsteps of the immortal god. From realm to realm three ample strides he took, And, at the fourth, the distant /Egae shook.
Page 43 - TJnpitied toil, and unlamented die; Groan at the labours of the galling oar, Or the dark caverns of the mine explore. The glitt'ring tyranny of Othman's sons, The pomp of horror which surrounds their thrones, Has awed their servile spirits into fear, Spurn'd by the foot they tremble and revere. The day of labour, night's sad sleepless hour, Th...
Page 98 - Thus have I industriously gone through the several parts of this wonderful work ; and clearly proved it, in .every one of these parts, and in .all of them together, to be a due and proper epic poem ; and to have as good a right to that title, from its adherence to prescribed rules, as any of the celebrated master-pieces of antiquity. And here I cannot help again lamenting, that by not knowing the name of the author, I am unable to twine...