Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 2000 M11 9 - 494 pages Theatre of the Book is an account of the entangled histories of print and the theatre in Europe between the Renaissance and the late nineteenth century: a history of European dramatic publication (providing comparative and historical perspective to the growing field of textual studies); an examination of the creation of the modern notion of text and performance; and a comparative genealogy of ideas about theatrical and textual reception. It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of 'theatre' as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's continual refashioning of itself in the world of print. |
From inside the book
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Page 3
... Jonson or Corneille or Goethe to the voices of “marginal” figures like the cantankerously “learned” Renaissance playwright Feliciana Enríquez de Guzmán, or the various makers of obscene commedia dell'arte lazzi, or the eighteenth ...
... Jonson or Corneille or Goethe to the voices of “marginal” figures like the cantankerously “learned” Renaissance playwright Feliciana Enríquez de Guzmán, or the various makers of obscene commedia dell'arte lazzi, or the eighteenth ...
Page 19
... Jonson's folio Workes and Shakespeare's folio Comedies, Histories, & Tragedies (a format linking them not only with the early folio editions of the ancients, but also with geographies, law books, and sacred texts, as ...
... Jonson's folio Workes and Shakespeare's folio Comedies, Histories, & Tragedies (a format linking them not only with the early folio editions of the ancients, but also with geographies, law books, and sacred texts, as ...
Page 40
... Jonson (most notably) often continued to revise deep into the publication process, making stop-press corrections, changing sections on the proofs, and composing on the printers formes, making nearly 700 corrections for his 1616Workes ...
... Jonson (most notably) often continued to revise deep into the publication process, making stop-press corrections, changing sections on the proofs, and composing on the printers formes, making nearly 700 corrections for his 1616Workes ...
Page 42
... Jonson to ask for a copy of a masque in 1608, play afficionados still made a practice, in the later seventeenth and eighteenth centuries, of asking their dramatist and actor friends for copies of plays they could not get elsewhere (very ...
... Jonson to ask for a copy of a masque in 1608, play afficionados still made a practice, in the later seventeenth and eighteenth centuries, of asking their dramatist and actor friends for copies of plays they could not get elsewhere (very ...
Page 59
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Contents
1 | |
11 | |
13 | |
THEATRE IMPRIMATUR | 91 |
THE SENSES OF MEDIA | 145 |
THE COMMERCE OF LETTERS | 201 |
THEATRICAL IMPRESSIONS | 255 |
Epilogue | 308 |
Notes | 313 |
Works Cited | 444 |
Index | 487 |
Other editions - View all
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Limited preview - 2003 |
Common terms and phrases
acting action actors aesthetic attempt Beaumont and Fletcher become beginning body century Chapter characters claims classical collection Comedies Complete continued contract copies Corneille corrected create critics culture dedication describes directions discussion distinction drama dramatic dramatists early edition eighteenth English explains expression fact figures French gesture give hand identified illustrations imagination imitation important instance Italy John Jonson kind language late later learned letters Library literary living managers manuscript means narrative nature notes offer once original performance period Plautus plays playwrights poem poet poetic poetry preface printed printers production published readers reading reflected Renaissance represented scene scenic seemed seen senses seventeenth Shakespeare similarly space spectators speech stage theatre theatrical things Thomas tion tragedy trans translation various voice writes written