Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeTheatre of the Book is an account of the entangled histories of print and the theatre in Europe between the Renaissance and the late nineteenth century: a history of European dramatic publication (providing comparative and historical perspective to the growing field of textual studies); an examination of the creation of the modern notion of text and performance; and a comparative genealogy of ideas about theatrical and textual reception. It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of 'theatre' as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's continual refashioning of itself in the world of print. |
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Page 6
... the French illustrator Jacques Callot came to Florence for the Medici festivals and the Alsatian engraver Matthias Greuter worked in Rome, it was equally important that their etchings of the festivals were sold throughout Europe.
... the French illustrator Jacques Callot came to Florence for the Medici festivals and the Alsatian engraver Matthias Greuter worked in Rome, it was equally important that their etchings of the festivals were sold throughout Europe.
Page 23
If, from the early sixteenth century, Italian dramatic editions modelled themselves on the mise en page of the Latin drama, only in the s did the French adopt the Italian style, and the English and Spanish only sporadically ...
If, from the early sixteenth century, Italian dramatic editions modelled themselves on the mise en page of the Latin drama, only in the s did the French adopt the Italian style, and the English and Spanish only sporadically ...
Page 41
3 It is difficult to generalize about theatrical activity and dramatic production across Europe between the seventeenth and mid-eighteenth centuries, given important regional and national differences: in the French and English capitals, ...
3 It is difficult to generalize about theatrical activity and dramatic production across Europe between the seventeenth and mid-eighteenth centuries, given important regional and national differences: in the French and English capitals, ...
Page 44
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Contents
| 1 | |
| 11 | |
| 13 | |
THEATRE IMPRIMATUR | 91 |
THE SENSES OF MEDIA | 145 |
THE COMMERCE OF LETTERS | 201 |
THEATRICAL IMPRESSIONS | 255 |
Epilogue | 308 |
Notes | 313 |
Works Cited | 444 |
Index | 487 |
Other editions - View all
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Limited preview - 2003 |
Common terms and phrases
acting action actors aesthetic attempt Beaumont and Fletcher become beginning body century Chapter characters claims classical collection Comedies Complete continued contract copies Corneille corrected create critics culture dedication describes directions discussion distinction drama dramatic dramatists early edition eighteenth English explains expression fact figures French gesture give hand identified illustrations imagination imitation important instance Italy John Jonson kind language late later learned letters Library literary living managers manuscript means narrative nature notes offer once original performance period Plautus plays playwrights poem poet poetic poetry preface printed printers production published readers reading reflected Renaissance represented scene scenic seemed seen senses seventeenth Shakespeare similarly space spectators speech stage theatre theatrical things Thomas tion tragedy trans translation various voice writes written
Bibliographic information
| Title | Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe |
| Author | Julie Stone Peters |
| Publisher | Oxford University Press, 2000 |
| ISBN | 0191541923, 9780191541926 |
| Length | 494 pages |
| Export Citation | BiBTeX EndNote RefMan |