Seven

Front Cover
Bloomsbury Publishing, 2019 M07 25 - 88 pages
Gluttony, Greed, Sloth, Lust, Pride, Envy, Wrath. A serial killer on a warped mission who turns his victims' 'sins' into the means of their murder. Seven (David Fincher, 1995) is one of the most acclaimed American films of the 1990s. Starring Morgan Freeman, Brad Pitt, and Kevin Spacey, Seven is the darkest of films. In it performance, cinematography, sound, and plot combine to create a harrowing account of a world beset by an all-encompassing, irremediable wickedness. Richard Dyer explores the film in terms of of sin, story, structure, seriality, sound, sight and salvation, analyzing how Seven both epitomizes and modifies the serial killer genre, which is such a feature of recent cinema.

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Contents

Contents Acknowledgments
1
Story
Structure
Seriality
Sound
Sight
Salvation
Notes
Credits

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About the author (2019)

Richard Dyer is Professor of Film Studies at the University of Warwick, UK. He is the author of many books and articles on cinema, among which are Stars (new edition, 1998) and a volume on Brief Encounter in the BFI Film Classics series (1993).

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