Shakespeare and the Emblem Writers: An Exposition of Their Similarities of Thought and Expression. Preceded by a View of Emblem-literature Down to A. D. 1616Trübner, 1870 - 571 pages |
From inside the book
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Page 36
... French translation of Virgil , L'Eneide de Virgile , Prince des Poetes latins , printed at Lyons in 1560 . " QVINTI HORATII FLACCI EMBLEMATA , " as Otho Vænius names one of his choicest works , first published in 1607 , is a similar ...
... French translation of Virgil , L'Eneide de Virgile , Prince des Poetes latins , printed at Lyons in 1560 . " QVINTI HORATII FLACCI EMBLEMATA , " as Otho Vænius names one of his choicest works , first published in 1607 , is a similar ...
Page 43
... French , amounting to many editions previous to the year 1500 , are truly books that belong to the Emblem literature . Thus pl . 8 , " though without the decora- tive Gothic framework which separates , and , at the same time , binds ...
... French , amounting to many editions previous to the year 1500 , are truly books that belong to the Emblem literature . Thus pl . 8 , " though without the decora- tive Gothic framework which separates , and , at the same time , binds ...
Page 51
... French and the English in 1484 , and the Spanish in 1489. Besides these there were at least thirty other editions previous to the year 1500 . It has been doubted if Fables should be classed among the Emblem Literature , but whether nude ...
... French and the English in 1484 , and the Spanish in 1489. Besides these there were at least thirty other editions previous to the year 1500 . It has been doubted if Fables should be classed among the Emblem Literature , but whether nude ...
Page 52
... French version , by Colard Mansion , was issued at Lyons in 1482 , Dialogue des Creatures moralizie ; and an English version , about 1520 , by J. Rastall , " Powly's Churche , " London , namely , " The Dialogue of Creatures moralyzed ...
... French version , by Colard Mansion , was issued at Lyons in 1482 , Dialogue des Creatures moralizie ; and an English version , about 1520 , by J. Rastall , " Powly's Churche , " London , namely , " The Dialogue of Creatures moralyzed ...
Page 55
... French translation of 1536 describes the title as , " signifiat centiesme amour , sciemment appropriees a la dame ayat en elle autant damour que cent aultres dames en pouroient comprendre , " signifying a hundredth love , knowingly ...
... French translation of 1536 describes the title as , " signifiat centiesme amour , sciemment appropriees a la dame ayat en elle autant damour que cent aultres dames en pouroient comprendre , " signifying a hundredth love , knowingly ...
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Common terms and phrases
Æsop Alciat Antony Antwerp appeared bear beauty Biblia Pauperum bird books of Emblems born Cæsar Camerarius celebrated Chimæra Corrozet Crispin de Passe Cupid death declares device Diana doth Dream act Duke earth edition Emblem Literature Emblem writers Emblem-books Emblemata emblematical Emblematists English engravings expression fable father figures French friends Giovio give gold golden hath haue heart heaven Henry Henry VI Heraldry honour Horapollo illustration Imprese instance Italian Joachim Camerarius Julius Cæsar king Knight Latin lines Lord loue Lyons Midsummer Night's Dream mind moral motto nature noble ornaments Paradin Paris Pericles Phoenix picture Plate poet Prince printed Queen Reusner Sambucus says Shakespeare soul speak stanzas swan sweet sword symbols Symeoni thee things thou thought Timon Titus Andronicus translation Troilus Troilus and Cressida Vænius Venice verses viii vita vnto Whitney Whitney's woodcut word
Popular passages
Page 273 - For do but note a wild and wanton herd, Or race of youthful and unhandled colts, Fetching mad bounds, bellowing, and neighing loud, Which is the hot condition of their blood, If they but hear perchance a trumpet sound, Or any air of music touch their ears, You shall perceive them make a mutual stand, Their savage eyes turn'd to a modest gaze By the sweet power of music : therefore the poet Did feign that Orpheus drew trees, stones, and floods ; Since naught so stockish, hard, and full of rage But...
Page 445 - Since brass, nor stone, nor earth, nor boundless sea, But sad mortality o'er-sways their power, How with this rage shall beauty hold a plea Whose action is no stronger than a flower...
Page 221 - All school-days' friendship, childhood innocence ? We, Hermia, like two artificial gods, Have with our needles created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key ; As if our hands, our sides, voices, and minds, Had been incorporate.
Page 462 - And mine shall. Hast thou, which art but air, a touch, a feeling Of their afflictions, and shall not myself, One of their kind, that relish all as sharply Passion as they, be kindlier mov'd than thou art ? Though with their high wrongs I am struck to the quick, Yet, with my nobler reason, 'gainst my fury Do I take part.
Page 378 - Time hath, my lord, a wallet at his back Wherein he puts alms for oblivion, A great-sized monster of ingratitudes: Those scraps are good deeds past, which are devour'd As fast as they are made, forgot as soon As done...
Page 269 - Julius bleed for justice' sake ? What villain touch'd his body, that did stab, And not for justice ? What, shall one of us, That struck the foremost man of all this world But for supporting robbers, shall we now Contaminate our fingers with base bribes, And sell the mighty space of our large honours For so much trash as may be grasped thus ? — I had rather be a dog, and bay the moon, Than such a Roman.
Page 257 - I saw young Harry, with his beaver on, His cuisses on his thighs, gallantly arm'd, Rise from the ground like feather'd Mercury, And vaulted with such ease into his seat As if an angel dropp'd down from the clouds, To turn and wind a fiery Pegasus, And witch the world with noble horsemanship.
Page 434 - Good name in man and woman, dear my lord, '; Is the immediate jewel of their souls : Who steals my purse steals trash ; 'tis something, nothin 'Twas mine, 'tis his, and has been slave to thousands ; But he that filches from me my good name Robs me of that which not enriches him And makes me poor indeed.
Page 193 - If Caesar carelessly but nod on him. He had a fever when he was in Spain, And, when the fit was on him, I did mark How he did shake...
Page 472 - Be absolute for death ; either death or life Shall thereby be the sweeter. Reason thus with life : If I do lose thee, I do lose a thing That none but fools would keep.