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admiration affected agreeable Albunea anatomist animals appear arises beau belonging body Bohemia cause of beauty cerning clear colours common considerable considered danger darkness degree delight disposition duce emotion enquiry examine excite fame fect feel fense figure ginal human idea of beauty images imagination imitation impression infinite infinity ject judgment kind light lour Lucretius lustrate manner means measures mecha melan mind motion nature nerally ness never nexion object observed operate pain painter painting particular passions perceive perfect plea pleased poetry positive pleasure Priam principle produce proportion purpose qualities quantity reason relaxation remarkable riety S E C SECT sense sensible shew sion smooth soft sophism sort sounds species spects strength striking strong Sublime and Beautiful suppose sweet Taste tension terrible terror ther things tion tremely tural ture uniform unoperative violent weakness whilst whole words
Page 106 - In thoughts from the visions of the night, when deep sleep falleth on men, fear came upon me, and trembling, which made all my bones to shake. Then a spirit passed before my face; the hair of my flesh stood up: it stood still, but I could not discern the form thereof: an image was before mine eyes, there was silence, and I heard a voice, saying, Shall mortal man be more just than God?
Page 58 - Whatever is fitted in any sort to excite the ideas of pain, and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime; that is, it is productive of the strongest emotion which the mind is capable of feeling.
Page 16 - ... a sort of creative power of its own; either in representing at pleasure the images of things in the order and manner in which they were received by the senses, or in combining those images in a new manner, and according to a different order.
Page 5 - A definition may be very exact, and yet go but a very little way towards informing us of the nature of the thing defined ; but let the virtue of a definition be what it will, in the order of things, it seems rather to follow than to precede our inquiry, of which it ought to be considered as the result.
Page 74 - But the case is widely different with the greater part of mankind; there is no spectacle we so eagerly pursue as that of some uncommon and grievous calamity; so that whether the misfortune is before our eyes, or whether they are turned back to it in history, it always touches with delight. This is not an unmixed delight, but blended with no small uneasiness.
Page 117 - But whilst we contemplate so vast an object, under the arm, as it were, of almighty power, and invested upon every side with omnipresence, we shrink into the minuteness of our own nature, and are, in a manner, annihilated before him.
Page 126 - I am apt to imagine likewise, that height is less grand than depth; and that we are more struck at looking down from a precipice, than at looking up at an object of equal height, but of that I am not very positive.
Page 105 - ... dark, confused, uncertain images have a greater power on the fancy to form the grander passions than those have which are more clear and determinate.
Page 248 - Campanella. This man, it seems, had not only made very accurate observations on human faces, but was very expert in mimicking such as were any way remarkable. When he had a mind to penetrate into the inclinations of those he had to deal with, he composed his face, his gesture, and his whole body, as nearly as...